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Typical of the mystic crucifixes is the body of Christ hanging on a Y-shaped tree fork with his head falling low over his chest, his mouth contorted with pain and his eyes full of tears. His narrow, sinewy arms stretch more upward than sideways, his thin body is strongly bent and deeply sunken below the breastbone, with prominently protruding ...
Mystic Crucifixion is a c. 1500 oil on canvas and egg tempera painting by the Florentine Renaissance master Sandro Botticelli (c. 1445-1510) . Painted during the part of his career when he came under the influence of the Dominican friar Girolamo Savonarola (though after the cleric had already been burnt at the stake), the work has been seen as a statement upon the state of Florence itself.
A German holy card from around 1910 depicting the crucifixion The earliest known woodcut, St Christopher, 1423, Buxheim, with hand-colouring Prayer card of the Holy Face of Jesus In the Christian tradition, holy cards or prayer cards are small, devotional pictures for the use of the faithful that usually depict a religious scene or a saint in ...
Christ's blood trickles down from the cross into the rocks, then reaches the cavity containing Adam's bones, as a symbol of man's redemption from sin through Christ's sacrifice. These novelties contain all the meaning of the new religious sensibility, which gives Christ back his earthly dimension and draws from it the deepest spiritual meaning.
The Koine Greek terms used in the New Testament of the structure on which Jesus died are stauros (σταυρός) and xylon (ξύλον).These words, which can refer to many different things, do not indicate the precise shape of the structure; scholars have long known that the Greek word stauros and the Latin word crux did not uniquely mean a cross, but could also be used to refer to one, and ...
Christian cross variants 7th-century Byzantine solidus, showing Leontius holding a globus cruciger, with a stepped cross on the obverse side Double-barred cross symbol as used in a 9th-century Byzantine seal Greek cross (Church of Saint Sava) and Latin cross (St. Paul's cathedral) in church floorplans
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
The upper portion of the central relief shows the Crucifixion of Jesus and the thieves, [3] the lower half shows the Resurrection. [2] Also shown is The Virgin kneeling with her attendants. [3] Inscriptions in the central panel reads Christ pass[us] e[st] [pro] nobis (Christ suffered for us), from the 1st century Epistle 1 Peter 2:21. [2]
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