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Egyptian revival decorative arts is a style in Western art, mainly of the early nineteenth century, in which Egyptian motifs were applied to a wide variety of decorative arts objects. Enthusiasm for the artistic style of Ancient Egypt is generally attributed to the excitement over Napoleon's conquest of Egypt and, in Britain, to Admiral Nelson ...
The revival during the 1920s is sometimes considered to be part of the Art Deco style. This phase gave birth to the Egyptian Theatre movement, largely confined to the United States. The Egyptian Revival decorative arts style was present in furniture and other household objects, as well as in architecture.
In the late 1920s and early 1930s a hybrid Art Deco/Egyptian Revival style evolved, which combined Egyptian motifs and features with Art Deco designs. This was particularly popular for new cinemas, which were intended to give an exotic impression to the cinema-goers.
The design was greatly influenced by the contemporary fashion for Egyptian-style buildings and decorative arts. The Carreras building was designed four years after Howard Carter's 1922 expedition which uncovered the tomb of Tutankhamun, which had popularised Egyptian themes in the minds of many Art Deco architects at the time. [2]
It is a large stone-walled structure, with styling that is an Art Deco-influenced version of Egyptian Revival architecture. Its main (northwest-facing) facade has a projecting central section, from which a series of bays are progressively stepped back, unified by a band of decorative carving at the top, just below the flat roof.
Art Deco of the 20s and 30s is an art history book by English historian Bevis Hillier. [1] [2] It was initially published in 1968 by Studio Vista.The author discusses how the style of cubism, expressionism, Ancient Egyptian art, Mayan art, and so on influenced Art Deco, and how Art Deco itself changed the style of disciplines as various as modern architecture, jewelry, ceramics, tableware ...
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It was founded in 1906 by a private partnership between the Belgian Édouard Empain and the Egyptian Boghos Nubar Pasha and it grew over the following decades. [90] Its buildings were designed in a wide range of styles, including Neo-Islamic [90] or Neo-Mamluk, [75] [80] Art Deco, or eclectic combinations of Orientalist and Modernist styles. [90]
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