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In 1933, he distributed the poem in the form of a Christmas card, [1] now officially titled "Desiderata." [2] Psychiatrist Merrill Moore distributed more than 1,000 unattributed copies to his patients and soldiers during World War II. [1] After Ehrmann died in 1945, his widow published the work in 1948 in The Poems of Max Ehrmann. The 1948 ...
Arthur William Edgar O'Shaughnessy (14 March 1844 – 30 January 1881) was a British poet and herpetologist. [1] Of Irish descent, he was born in London. [2] He is most remembered for his poem "Ode", from his 1874 collection Music and Moonlight, which begins with the words "We are the music makers, / And we are the dreamers of dreams", and which has been set to music by several composers ...
The poem was published in Hughes's book Montage of a Dream Deferred in 1951. [4] The book includes over ninety poems [5] that are divided into five sections. "Harlem" occurs in the fifth section, which is titled "Lenox Avenue Mural". [6] The poems in the book were intended to be read as one long poem, but "Harlem" is often read by itself. [5]
The Dream Songs is a compilation of two books of poetry, 77 Dream Songs (1964) and His Toy, His Dream, His Rest (1968), by the American poet John Berryman.According to Berryman's "Note" to The Dream Songs, "This volume combines 77 Dream Songs and His Toy, His Dream, His Rest, comprising Books I through VII of a poem whose working title, since 1955, has been The Dream Songs."
In a tweet from July 2024, Drew Daniel of electronic music duo Matmos described a fictional music genre he encountered in a dream entitled "hit em". Recounted to him by a nondescript woman in the dream, the genre is a type of electronic music "with super crunched out sounds" in a 5/4 time signature with a tempo of 212 beats per minute.
As the poem ends, the trance caused by the nightingale is broken and the narrator is left wondering if it was a real vision or just a dream. [24] The poem's reliance on the process of sleeping is common to Keats's poems, and "Ode to a Nightingale" shares many of the same themes as Keats' Sleep and Poetry and Eve of St. Agnes. This further ...
"Dream" is a poem by Taras Shevchenko from 1844, a lyrical pamphlet, the first work of satire in his work and in new Ukrainian literature directed against social and national oppression, against the then socio-political system, autocracy, serfdom, the church, against "the slavish obedience of the masses" and "the national treason of the top of Ukrainian society, which went to the service of ...
The dream of the beloved was a motif used in another of Dafydd's poems, "The Clock". [9] It was famously the basis of Le Roman de la Rose, but is older than that. Such a dream, together with an interpretation by an old crone, appears in Walther von der Vogelweide's Dô der sumer komen was, and as far back as Ovid's Amores. [10]