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Weird Fantasy is an American dark fantasy and science fiction anthology comic that was part of the EC Comics line in the early 1950s. The companion comic for Weird Fantasy was Weird Science . Over a four-year span, Weird Fantasy ran for 22 issues, ending with the November–December 1953 issue.
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The Gossamer Project is a group of specialty archives that, combined, contain the vast majority of X-Files fan fiction on the Internet. [1] In the mid to late 1990s, the Gossamer Archives/Project was one of the "big three" single media fandom-focused archives on the Internet, and remained the largest single fandom fan fiction archive [2] until the emergence of various Harry Potter archives in ...
"Ship" and its derivatives in this context have since come to be in widespread usage. "Shipping" refers to the phenomenon; a "ship" is the concept of a fictional couple; to "ship" a couple means to have an affinity for it in one way or another; a "shipper" or a "fangirl/boy" is somebody significantly involved with such an affinity; and a "shipping war" is when two ships contradict each other ...
The term is generally applied only to fanworks based on Western fandoms; the nearest anime/manga equivalents are more often called yuri and shōjo-ai fanfiction. [4] "Saffic" is a portmanteau of Sapphic from the term Sapphic love and fiction. [5] "Altfic" as a term for fanfiction about loving relationships between women was popularized by Xena ...
These online communities are typically mostly female, in contrast to the majority male mainstream comics fandom. [23] Fan works featuring Stucky, which have been created in a wide range of media, including fan art, fanfiction, and fan videos, typically give prominence to emotional imagery and romantic subject material, as opposed to the action ...
Weird Science-Fantasy was an American science fiction-fantasy anthology comic, that was part of the EC Comics line in the early 1950s. Over a 14-month span, the comic ran for seven issues, starting in March 1954 with issue #23 and ending with issue #29 in May/June 1955.
Writing in 1995, Hudnall noted the spy genre, Japanese anime films and the British TV series The Champions as influences on the series. [1] He hoped Espers would bridge the gap between superhero comics aimed at younger readers and the growing adult-orientated comic market, and strove to write strong female characters for the series; Hudnall hoped to create "a Hill Street Blues of comic books".
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