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The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
Clifford George Hayes (March 10, 1893 – October 22, 1941) [1] was an African-American multi-instrumentalist and bandleader who recorded jug band music and jazz in the 1920s and 1930s, notably as the leader of the Dixieland Jug Blowers, Clifford's Louisville Jug Band, and Hayes's Louisville Stompers.
Lawrence Gellert (1898-1979?), was a music collector, who in the 1920s and 1930s amassed a significant collection of field-recorded African-American blues and spirituals and also claimed to have documented black protest traditions in the South of the United States.
The Jazz Age was a period in the 1920s and 1930s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz.
Though this was its most popular period, the music had actually been around since the late 1920s and early 1930s, being played by black bands led by such artists as Duke Ellington, Jimmie Lunceford, Bennie Moten, Cab Calloway, Earl Hines, and Fletcher Henderson, and white bands from the 1920s led by the likes of Jean Goldkette, Russ Morgan and ...
Blues, a type of black folk music originating in the American South, were mainly in the form of work songs until about 1900. [1] Gertrude "Ma" Rainey (1886–1939), known as "The Mother of the Blues", is credited as the first to perform the blues on stage as popular entertainment when she began incorporating blues into her act of show songs and comedy around 1902.
George Gershwin's Porgy and Bess (1935) – starring Will Marion Cook's wife Abbie Mitchell among many others – is the most famous black musical of the 1930s. It is called a black musical because of the African American cast, even though neither the music or plot is of the “Negro inspiration” like the creators proclaim.
The control of white owned music companies was tested in the 1920s, when Black Swan Records was founded in 1921 by the African American businessman Harry Pace. Black Swan was formed to integrate the black community into a primarily white music industry, issuing around five hundred race records per year. [ 6 ]