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"The Love Song of J. Alfred Prufrock" is the first professionally published poem by the American-born British poet T. S. Eliot (1888–1965). The poem relates the varying thoughts of its title character in a stream of consciousness .
In 1915, Ezra Pound, overseas editor of Poetry magazine, recommended to Harriet Monroe, the magazine's founder, that she should publish "The Love Song of J. Alfred Prufrock". [68] Although the character Prufrock seems to be middle-aged, Eliot wrote most of the poem when he was only twenty-two.
"The Love Song of J. Alfred Prufrock" was set to music by Tony Garone and Scott Harris. The video was made by Tony Garone himself, with illustrations by Julian Peters. [10] [11] In the album I am Nothing, Versus Shade Collapse has produced a musical adaptation of the poem called "An Adaptation of The Love Song of J. Alfred Prufrock." [citation ...
The title and lyrics of the song reference the 1915 T. S. Eliot poem "The Love Song of J. Alfred Prufrock". [2] Lead vocalist Brad Roberts called it "a song about being afraid of getting old, which is a reflection of my very neurotic character". [3]
The phrase "there will be time" occurs repeatedly in a section of T. S. Eliot's "The Love Song of J. Alfred Prufrock" (1915), and is often said to be an allusion to Marvell's poem. [10] Prufrock says that there will be time "for the yellow smoke that slides along the street", time "to murder and create", and time "for a hundred indecisions ...
"The Love Song of J. Alfred Prufrock" T.S. Eliot: Adapts elements of the T. S. Eliot poem. [36] "Ahab" The Graduate: MC Lars: Moby-Dick: Herman Melville: Retells the story of Moby-Dick from the perspective of Captain Ahab. [37] "Alice" Every Trick in the Book: Ice Nine Kills: Go Ask Alice: Beatrice Sparks [38] [39] "All I Wanna Do" Tuesday ...
When Taylor Swift’s depression works the graveyard shift, she makes a playlist about it.. Swift, 34, partnered with Apple Music earlier this month to unveil five exclusive playlists featuring ...
T. S. Eliot in 1934. In 1925, Eliot became a poetry editor at the London publishing firm of Faber & Gwyer, Ltd., [1]: pp.50–51 after a career in banking, and subsequent to the success of his earlier poems, including "The Love Song of J. Alfred Prufrock" (1915), "Gerontion" (1920) and "The Waste Land" (1922).