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Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
The Hymns were composed between June 1762 and January 1763 while Smart was in a mental asylum for "religious mania." [8] His "D Fragment" of Jubilate Agno says: The Lord magnify the idea of Smarts singing hymns on this day in the eyes of the whole University of Cambridge.
The tune style or form is technically designated "gospel songs" as distinct from hymns. Gospel songs generally include a refrain (or chorus) and usually (though not always) a faster tempo than the hymns. As examples of the distinction, "Amazing Grace" is a hymn (no refrain), but "How Great Thou Art" is a gospel song. [52]
The original "gospel" songs were written and composed by authors such as George F. Root, Philip Bliss, Charles H. Gabriel, William Howard Doane, and Fanny Crosby. [3] As an extension to his initial publication Gospel Songs, Philip Bliss, in collaboration with Ira D. Sankey issued no's. 1 to 6 of Gospel Hymns in 1875. [12]
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
These are often designated "gospel songs" as distinct from hymns, since they generally include a refrain (or chorus) and usually (though not always) a faster tempo than the hymns. As examples of the distinction, "Amazing Grace" is a hymn (no refrain), but "How Great Thou Art" is a gospel song. During the 19th century the gospel-song genre ...
Singing the Living Tradition was the first standard denominational hymnbook to include songs from Unitarians in Eastern Europe, spirituals from the African American tradition, folk and popular songs, music of major, non-Christian religious traditions, and chants and rounds gathered from the various traditions of the world. [1]
The Primitive Hymns, Spiritual Songs and Sacred Poems Regularly Selected, Classified and Set in Order (1858) [569] The Baptist Hymn Book: comprising a large and choice collection of psalms, hymns and spiritual songs (1859) [570] The Primitive Baptist Hymnal: a choice collection of hymns and tunes of early and late composition (1881) [571]
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