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Wayang golek (wooden puppet) performance, Indonesia The history of the wayang golek began in the 17th century. Initially, the wayang golek art emerged and was born on the north coast of the island of Java, especially in Cirebon, the wayang used is the wayang cepak in the form of a papak or flat head.
Wayang golek performance (3D wooden puppet), Indonesia. Wayang golek are three-dimensional wooden rod puppets that are operated from below by a wooden rod that runs through the body to the head, and by sticks connected to the hands. The construction of the puppets contributes to their versatility, expressiveness and aptitude for imitating human ...
Wayang refer to a theatrical performance with puppets or human dancers. When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre is known as wayang kulit, are accompanied by a gamelan orchestra in Java, and by gender wayang in Bali. It has been ...
The wayang kulit performance by the Indonesian notable dalang (puppet master) Manteb Soedharsono, with the story "Gathutkaca Winisuda", in Bentara Budaya Jakarta, Indonesia, on 31 July 2010. Wayang kulit (Javanese: ꦮꦪꦁꦏꦸꦭꦶꦠ꧀ (in the ngoko register)) [1] is a traditional form of shadow puppetry originally found in the cultures ...
Cepot is humorous and easy going, everything Cepot says tends to be funny, and Cepot's act has many slapstick jokes, mostly done together with its antagonist wayang golek character. Cepot in wayang golek puppetry also has other, good looking faces: Astrajingga, described with its straight, humble, good looking and white face. Cepot is the ...
The Javanese dance drama associated with wayang's epic themes from the Ramayana and Mahabharata would have existed by then. Wayang wang was a performance in the style of wayang kulit (the shadow theatre of Central Java) wherein actors and actresses took the puppets' roles.
Similar characters appear in other Indonesian wayang and theatrical traditions, including those of Bali and Sunda, under different names. [6] [7] The panakawan characters are generally much-loved by audiences who attend wayang plays in Indonesia and their appearance in the plays is usually greeted with laughter and anticipation.
Ngesti Pandawa is a professional wayang wong, or wayang orang, art company located in Semarang.The Ngesti Pandawa Wayang Orang is housed in the Ki Narto Sabdho Hall, in Taman Budaya Raden Saleh (Raden Saleh Cultural Park), at Jalan Sriwijaya 29, Semarang, Central Java Province, Indonesia.