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When inhaled, helium changes the resonant properties of the human vocal track resulting in a very high squeaky voice. In Salvatore Martirano's composition L’s GA the singer is required to inhale from a helium mask. Conversely, an unnaturally low voice may be achieved by asking the singer to inhale sulfur hexafluoride. This technique is less ...
Josquin des Prez, Missa L'homme armé super voces musicales, Agnus Dei 2: One voice with the words 'ex una voce tres' (three voice parts out of one), a mensuration canon in three voices. Josquin des Prez, Missa L'homme armé sexti toni , Agnus Dei 2: two simultaneous canons in the four upper voices, and at the same time a crab canon in the two ...
Sprechgesang is more closely aligned with the long-used musical techniques of recitative or parlando than is Sprechstimme.Where the term is employed in this way, it is usually in the context of the late Romantic German operas or "music dramas" that were composed by Richard Wagner and others in the 19th century.
Most voice teachers believe that it is essential to establish good vocal habits within a limited and comfortable range before attempting to classify the voice. When techniques of posture, breathing, phonation, resonation, and articulation have become established in this comfortable area, the true quality of the voice will emerge and the upper ...
In its physical aspect, singing has a well-defined technique that depends on the use of the lungs, which act as an air supply or bellows; on the larynx, which acts as a reed or vibrator; on the chest, head cavities and the skeleton, which have the function of an amplifier, as the tube in a wind instrument; and on the tongue, which together with the palate, teeth, and lips articulate and impose ...
Polyphonic overtone singing Pachelbel's Canon, performed by Wolfgang Saus Chirgilchin performing various styles of Tuvan throat singing.. Overtone singing, also known as overtone chanting, harmonic singing, polyphonic overtone singing, or diphonic singing, is a set of singing techniques in which the vocalist manipulates the resonances of the vocal tract to arouse the perception of additional ...
Belting (or vocal belting) is a specific technique of singing by which a singer carries their chest voice above their break or passaggio with a proportion of head voice. Belting is sometimes described as "high chest voice" or "mixed voice" (not to be confused with the mixing technique), although if this is done incorrectly, it can potentially ...
Awarded the Pulitzer Prize for Drama for 1932 and was the first musical to win that award, although only Ira Gershwin and the bookwriters were awarded the Prize and not George Gershwin; Revived in 1933 and 1952; 1933 – Pardon My English (lyrics by Ira Gershwin) 1933 – Let 'Em Eat Cake (lyrics by Ira Gershwin), sequel to Of Thee I Sing