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Lo Mejor de Marcos II: 1999 Colección En Vivo: 1999 Enciende una luz (En vivo) 2000 Homenaje a Jesús (En vivo con Marco Barrientos, Danilo Montero y Jorge Lozano) 2000 Todos deben de saber (En vivo) 2000 Venceu (En vivo) (En portugués) 2000 El volverá (En vivo desde Jerusalén con Danilo Montero y Luis Enrique Espinosa) CanZion 2001
Dios de Pactos is the twenty-fourth album released by Christian singer Marcos Witt. [3] The album was recorded live in Miami, Florida.The self-titled single from the album was the winner of the "Song of the Year" category at the 2004 Arpa Awards.
Recordando Otra Vez is the twenty-sixth album released by Christian singer Marcos Witt. The album was recorded live from Los Angeles, California and was winner of the Latin Grammy in the Category of Best Christian album. As of October 5, 2007, the album has been certified Platinum by the RIAA.
Amazing God is the twenty-fifth album released by Christian singer Marcos Witt. The album was recorded live from Houston , Texas . This was Witt's first English language album recorded.
Sana Nuestra Tierra is the twenty-first album released by Christian singer Marcos Witt. The album was recorded live from Houston , Texas . This album was winner of the Latin Grammy for Best Christian album.
Alegría is the thirtieth album released by Christian singer Marcos Witt. The album was recorded live from Santiago, Chile. This album was winner of the Latin Grammy and Billboard Music Award in the category of Best Christian album. [2] [3] Track number 10 was sung by his daughter, Elena Witt.
"Voglio entrare per la finestra" (lyrics: Marcos Mundstock; music & conduction: Carlos López Puccio) "Miss Lilly Higgins sings shimmy in Mississippi's spring" (lyrics: Marcos Mundstock; music: Ernesto Acher) "Ya el sol se asomaba en el poniente" (lyrics: Les Luthiers; music: Gerardo Masana & Jorge Maronna)
Como una ola de fuerza y luz (Spanish for Like a wave of strength and light) is a composition for soprano, piano, orchestra, and magnetic tape by Italian composer Luigi Nono. It was composed between 1971 and 1972 and was Nono's first attempt at giving the piano a leading role in a composition.