Search results
Results from the WOW.Com Content Network
The following other wikis use this file: Usage on en.wikisource.org Index:Æsop's fables- (IA aesopfables00aesoiala).pdf; Page:Æsop's fables- (IA aesopfables00aesoiala).pdf/1
A musical, Aesop's Fables by British playwright Peter Terson, first produced in 1983, [151] was performed by the Isango Portobello company, directed by Mark Dornford-May at the Fugard Theatre in Cape Town, South Africa, in 2010. [152] The play tells the story of the black slave Aesop, who learns that freedom is earned and kept through being ...
Commentators have seen a likeness to the story, although only in the detail of dancing to the pipe, in Jesus's parable of the children playing in the market-place who cry to each other, "We piped for you and you would not dance; we wept and wailed and you would not mourn" (Matthew 11.16–17, Luke 7.31–2). [9]
La Fontaine's fable was later set by Paul Bonneau among his 10 Fables de La Fontaine (1957) and Aesop's is the fourth of five pieces by Anthony Plog for narrator, piano and horn (1989/93). [11] Later it also appeared among the three in Canadian Yvonne Gillespie's Aesop's Fables for narrator and full orchestra (2001).
The family welcomes the frozen snake, a woodcut by Ernest Griset. The Farmer and the Viper is one of Aesop's Fables, numbered 176 in the Perry Index. [1] It has the moral that kindness to evil will be met by betrayal and is the source of the idiom "to nourish a viper in one's bosom".
An original fable by Laurentius Abstemius demonstrates the kinship between the story of "The Eagle and the Fox" and another by Aesop about The Eagle and the Beetle.In the Abstemius story, an eagle seizes some young rabbits to feed its young and tears them to pieces despite their mother's plea for mercy, thinking that an earth-bound creature could do it no harm.
Book illustrations of Aesop's fable inevitably picture two contrasting pots being carried along a river. In the lively woodblock print by the Japanese artist Kawanabe Kyosai, the pots are given human forms and shown tossed on the waves of a heavy sea. There the earthen pot is desperately fending off the friendly approach of the metal pot.
In addition there was an English-language version set by Bob Chilcott as the fourth in his Aesop's Fables for piano and choir (2008); [54] [55] and a purely musical interpretation for small orchestra by Matt Fernald as the first part of his musical thesis composition, performed under the title An Evening with Aesop in 2013. [56] [57]