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Hendiadys (/ h ɛ n ˈ d aɪ. ə d ɪ s /) is a figure of speech used for emphasis—"The substitution of a conjunction for a subordination". The basic idea is to use two words linked by the conjunction "and" instead of the one modifying the other. Hendiadys in English is also known as two for one and figure of twins.
Hendiatris (/ h ɛ n ˈ d aɪ. ə t r ɪ s / hen-DY-ət-riss; from Ancient Greek ἓν διὰ τρία (hèn dià tría) 'one through three') is a figure of speech used for emphasis, in which three words are used to express one idea. [1] [2] The phrases "sun, sea and sand", and "wine, women and song" are examples.
Adianoeta – a phrase carrying two meanings: an obvious meaning and a second, more subtle and ingenious one (more commonly known as double entendre). Alliteration – the use of a series of two or more words beginning with the same letter. Amphiboly – a sentence that may be interpreted in more than one way due to ambiguous structure.
Monemvasia (Greek: Μονεμβασιά, Μονεμβασία, or Μονεμβάσια) is a town and municipality in Laconia, Greece.The town is located in mainland Greece on a tied island off the east coast of the Peloponnese, surrounded by the Myrtoan Sea.
In rhetoric, zeugma (/ ˈ zj uː ɡ m ə / ⓘ; from the Ancient Greek ζεῦγμα, zeûgma, lit. "a yoking together" [1]) and syllepsis (/ s ɪ ˈ l ɛ p s ɪ s /; from the Ancient Greek σύλληψις, súllēpsis, lit. "a taking together" [2]) are figures of speech in which a single phrase or word joins different parts of a sentence. [3]
The origins of these words go way back to the seventh or eighth century B.C.E, Beaulieu says, but the basic concepts are still relevant today and apply to the modern world.
The word rhei (ρέι, cf. rheology) is the Greek word for "to stream"; according to Plato's Cratylus, it is related to the etymology of Rhea. πάντοτε ζητεῖν τὴν ἀλήθειαν pántote zeteῖn tḕn alḗtheian "ever seeking the truth" — Diogenes Laërtius, Lives of Eminent Philosophers [26] — a characteristic of ...
The word ekphrasis, or ecphrasis, comes from the Greek for the written description of a work of art produced as a rhetorical or literary exercise, [1] often used in the adjectival form ekphrastic. It is a vivid, often dramatic, verbal description of a visual work of art , either real or imagined.