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Christ of Saint John of the Cross has continued to generate controversy. At the time of its purchase by Honeyman, the verdict by modern art critics was that producing such a traditional painting was a stunt by an artist already famous for his surrealist art. [6] The picture was voted Scotland's favourite painting in 2006, with 29% of the vote. [11]
"Flower of Scotland" (Scottish Gaelic: Flùr na h-Alba, Scots: Flouer o Scotland) is a Scottish patriotic song commonly used as an unofficial national anthem of Scotland. Written sometime in the mid-1960s by folk musician Roy Williamson , its lyrics describe the victory of Robert the Bruce , King of Scots , over Edward II , King of England , at ...
In May 2013 the painting was bought by Tate for £23.1m. [5]The acquisition was part of Aspire, a partnership between Tate and four other national and regional galleries – National Museum Wales, the National Galleries of Scotland, Colchester and Ipswich Museums Service and Salisbury and South Wiltshire Museum – and was acquired with major grants and donations from the Heritage Lottery Fund ...
Scots Wha hae wi' Wallace Bled "Scots Wha Hae" (English: Scots Who Have) is a patriotic song of Scotland written using both words of the Scots language and English, which served for centuries as an unofficial national anthem of the country, but has lately been largely supplanted by "Scotland the Brave" and "Flower of Scotland".
The Royal Arms of Scotland [2] is a coat of arms symbolising Scotland and the Scottish monarchs.The blazon, or technical description, is "Or, a lion rampant Gules armed and langued Azure within a double tressure flory counter-flory of the second", meaning a red lion with blue tongue and claws on a yellow field and surrounded by a red double royal tressure flory counter-flory device.
Salisbury Cathedral from the Bishop's Grounds is an 1823 landscape painting by the English landscape painter John Constable (1776–1837). This image of Salisbury Cathedral, one of England's most famous medieval churches, is one of his most celebrated works, and was commissioned by one of his closest friends, John Fisher, The Bishop of Salisbury. [1]
The painting in the church was described as a "burd" ("board") on 17 May 1516 when John Stewart, Duke of Albany made an offering at the high altar on Trinity Sunday. [ 4 ] The work represents a rare example of religious art in Scotland to have survived the iconoclasm of the Scottish Reformation in 1560; the central panel was perhaps destroyed ...
A young boy, who would later be known as John the Baptist, brings in water to wash the wound, prefiguring his later baptism of Christ. An assistant of Joseph, who represents Jesus's future Apostles, observes these events. In the background of the painting various objects are used to further symbolize the theological significance of the subject.