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Iranian Intermezzo, [2] or Persian Renaissance, [3] was a period in Iranian history which saw the rise of various native Iranian Muslim dynasties in the Iranian Plateau, after the 7th-century Arab Muslim conquest and the fall of the Sasanian Empire.
Iranian pop music is commonly performed by vocalists who are accompanied with elaborate ensembles, often using a combination of both indigenous Iranian and European instruments. [1] The pop music of Iran is largely promoted through mass media, but it experienced some decade of prohibition after the 1979 Revolution.
Analysis of more than fifty improvisations and pieces of composed music shows that the rhythmic organisation of gūsheh-ha and of musical genres in free metre, stretchable metre or fixed metre may be influenced by Persian poetic metres. [1] Music-related manuscripts from the twelfth to fifteenth centuries CE provide an opportunity to compare ...
Persian traditional music or Iranian traditional music, also known as Persian classical music or Iranian classical music, [1] [2] [3] refers to the classical music of Iran (historically known as Persia). It consists of characteristics developed through the country's classical, medieval, and contemporary eras.
Indo-Persian culture flourished in North India during the period of the Delhi Sultanate (1206–1526). The invasion of Babur in 1526, the end of the Delhi Sultanate and the establishment of what would become the Mughal Empire would usher the golden age of Indo-Persian culture with particular reference to the art and architecture of the Mughal era.
The term Iranian Intermezzo [b] represents a period in Middle Eastern history that saw the rise of various native Iranian Muslim dynasties on the Iranian Plateau. This term is noteworthy since it was an interlude between the decline of Abbasid rule and the eventual emergence of the Seljuk Turks in the 11th century. The Iranian revival consisted ...
In music, an intermezzo (/ ˌ ɪ n t ər ˈ m ɛ t s oʊ /, Italian pronunciation: [interˈmɛddzo], plural form: intermezzi), in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work.
The academic classical music of Iran, in addition to preserving melody types that are often attributed to Sassanian musicians, is based on the theories of sonic aesthetics as expounded by the likes of Iranian musical theorists in the early centuries after the Muslim conquest of the Sasanian Empire, most notably Avicenna, Farabi, Qotb-ed-Din ...