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The St Matthew Passion can be divided in scenes or "stations" that follow the dramatic action of the Gospel account in different locations. [3] Whatever the chosen scene division (none of them indicated by the composer in the score), scenes end on an aria, a chorus, or in the midst of a Gospel text section.
The St Matthew Passion (German: Matthäuspassion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias.
Chorus: Luke 2:14: Scene 5: 18 / 16: Rejoice greatly, O daughter of Zion: Air S: Zechariah 9:9–10: Zechariah, God's providential dealings: 19: Then shall the eyes of the blind be open'd: Rec. A: Isaiah 35:5–6: Isaiah, oracle of salvation for Israel: 20 / 17: He shall feed His flock like a shepherd Come unto Him, all ye that labour: Duet A S ...
[26] [27] Alan Kirk praises Matthew for his "scribal memory competence" and "his high esteem for and careful handling of both Mark and Q", which makes claims the latter two works are significantly different in terms of theology or historical reliability dubious. [28] [29] Matthew has 600 verses in common with Mark, which is a book of only 661 ...
Matthew 11:20–24 = Cursing Chorazin, Bethsaida, and Capernaum (Luke 10:13–15) Matthew 11:25–30 = Praising the Father (Luke 10:21–22) The New King James Version organises this chapter as follows: Matthew 11:1–19 = John the Baptist Sends Messengers to Jesus; Matthew 11:20–24 = Woe to the Impenitent Cities; Matthew 11:25–30 = Jesus ...
Bach incorporated two short interpolations from the Gospel of Matthew (in Version I, one from Matthew and one from the Gospel of Mark), Matthew 26:75 after John 18:27, describing the weeping of Peter, and Matthew 27:51–52 after John 19:30, describing the tearing of the temple curtain (in Version I, this was replaced by Mark 15:38).
The Doorway of the Dawn for mixed chorus, Op. 76 (1999) Psalm 23 for mixed chorus and organ, Op. 90 (2003) Æquam memento for mixed chorus, text Horace, Op. 91 (2003–04) Two Choruses for mixed chorus, text by W. H. Auden), Op. 101 (2005) The Key of the Kingdom for mixed chorus and organ, Op. 106 (2008)
Matthew 11:25-30 from Papyrus 62. Matthew 11:25. και συνετων (and intelligent) – omitted by syr s,c Hilary Augustine vid. Matthew 11:25. εκρυψας – 𝔓 62, Sinaiticus, B, D, 33, ℓ 2211 απεκρυψας – C L W Θ f 1,13 Byz Matthew 11:26-27 from Papyrus 70. Matthew 11:27. του πατρος (the father) – א* cop ...
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