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The mandolele is a nylon-stringed mandolin with four strings rather than eight. Griffin built it to achieve the soft tone characteristic of nylon-stringed instruments such as the ukulele, combined with the tuning and feel of an F5 mandolin. The tuning is the same as that of an F5, as is the scale length and overall feel of the instrument.
The F-5 is a mandolin made by Gibson beginning in 1922. Some of them are referred to as Fern because the headstock is inlaid with a fern pattern. The F-5 became the most popular and most imitated American mandolin, [1] and the best-known F-5 was owned by Bill Monroe, the father of bluegrass music, who in turn helped identify the F-5 as the ultimate bluegrass mandolin.
Tone Poems: The Sounds of the Great Vintage Guitars and Mandolins is an album of duets by mandolinist David Grisman and guitarist Tony Rice using vintage instruments. [ 1 ] [ 2 ] Track listing
Tone Poems 2 is an album by American mandolinist David Grisman and British guitarist Martin Taylor that was released in 1995 by Grisman's label, Acoustic Music. It is a sequel to Tone Poems, his collaboration with bluegrass guitarist Tony Rice. This is a jazz-oriented recording on which Grisman and Taylor play a variety of vintage, fretted ...
Old traditional mandolins with round backs, for example, are difficult to play in a standing position and are almost never used. Some older mandolins have relatively few frets, limiting the mandolin player's use of high notes. Most bluegrass mandolin players choose one of two styles. Both have flat or nearly flat backs and arched tops.
Two styles of mandolin-banjo, showing a large and small head, with a full size, four-string banjo (bottom). L-R - Banjo-mandolin, standard mandolin, 3-course mandolin, Tenor mandola. The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. It is a soprano banjo. [1]
Apollon was born in 1898, to a Jewish family in the city of Kiev, [3] which was at the time part of Russia.At an early age, he played the violin but abandoned the instrument after taking a fervent interest in an old bowl back mandolin his father kept in the house.
Pettine was a member of the Big Trio, a trio formed by guitarist William Foden, banjoist Frederick Bacon and Giuseppe Pettine on mandolin. He published a mandolin method book in 1896, and a comprehensive seven-volume tutorial for the mandolin, titled Pettine's Modern Mandolin School. [1] He also became a teacher of the Italian mandolin technique.