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In modern use, intertitles are used to supply an epigraph, such as a poem, or to distinguish various "acts" of a film or multimedia production by use as a title card.. However, they are most commonly used as part of a historical drama's epilogue to explain what happened to the depicted characters and events after the conclusion of the story p
Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs.Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues.
Following the identification of a word comes the understanding of meaning, and which meaning the word is intending in the context of the song. If a lyric is not properly set, a word might be mistaken for a different word, or be completely unidentified. Songs are constantly moving forward, so there is little time for the listener to decipher words.
A title sequence (also called an opening sequence or intro) is the method by which films or television programmes present their title and key production and cast members, utilizing conceptual visuals and sound (often an opening theme song with visuals, akin to a brief music video). [1]
The Italian word for "echo"; an effect in which a group of notes is repeated, usually more softly, and perhaps at a different octave, to create an echo effect égal (Fr.) Equal eilend (Ger.) Hurrying ein wenig (Ger.) A little einfach (Ger.) Simple emporté (Fr.) Fiery, impetuous en animant (Fr.) Becoming very lively en cédant (Fr.) Yielding en ...
The main theme, used as a leitmotif for the blind flower girl, is the song "La Violetera" ("Who'll Buy my Violets") from Spanish composer José Padilla. Chaplin lost a lawsuit to Padilla for not crediting him. City Lights was immediately successful upon release on March 7, 1931, with positive reviews and worldwide rentals of more than $4 million.
Incidental music composed and conducted by Robert Farnon. "Gentlemen Marry Brunettes" (music by Herbert Spencer and Earle Hagen, lyrics by Richard Sale) - Sung by Chorus. (note: screen credit gives "Sung by Johnny Desmond", but the song is only heard in a male choral arrangement)
Charlie Chaplin's Modern Times, released in 1936, is an example of an unusually late part-talkie. The only voices heard in the film are those of the factory foreman, of a salesman making his pitch by means of a phonograph record, and of Chaplin when he sings a gibberish song in a nightclub scene. The soundtrack for the rest of the film is ...