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Bitstream created a library of "classic" fonts (usually under different names for trademark reasons) in digital form. For example, Times Ten was released as Dutch 801, Akzidenz-Grotesk as Gothic 725, Antique Olive as Incised 901, Bembo as Aldine 401, Berthold Block as Gothic 821, Bodoni Campanile as Modern 735, Choc as Staccato 555, Eurostile as Square 721, Frutiger as Humanist 777, Gill Sans ...
Plantin is an old-style serif typeface.It was created in 1913 by the British Monotype Corporation for their hot metal typesetting system and is named after the sixteenth-century printer Christophe Plantin. [1]
Bembo is a serif typeface created by the British branch of the Monotype Corporation in 1928–1929 and most commonly used for body text.It is a member of the "old-style" of serif fonts, with its regular or roman style based on a design cut around 1495 by Francesco Griffo for Venetian printer Aldus Manutius, sometimes generically called the "Aldine roman".
649/721 [10] 650/720 [37] 660/720 [38] – BAg-34, AMS 4761, Braze 380, Silvaloy A38T, Silver Braze 38. Free-flowing, for ferrous alloys, nickel, copper and their alloys, and combinations. Tin content improves wetting of tungsten carbide, stainless steel, and other difficult metals. Absence of lead and cadmium allows use of long heating cycles.
The formula was meant to be dissolved in water at the concentration of 9.0 g/L, giving a bath with pH = 1.5. It yielded a light gold color after 1 min, and a golden-brown film after 3 min. The average thickness ranged between 200 and 1000 nm. [6] Iridite 14-2 is a chromate conversion bath for aluminum.
Once the chamber is full of pet hair, simply empty it out or, as one user recommends, take a vacuum attachment to it to clear it all out easily. "This thing is amazing between vacuums," wrote one ...
The Aldine was published by Sutton Browne & Company starting in 1868 as The Aldine Press, which was shortened in 1871. Subtitles included A typographic art journal from 1871 to 1873, and The art journal of America from 1874 to 1879. [1] Richard Henry Stoddard was the editor-in-chief from 1871 to 1875.
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