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Natural materials – timber, bamboo, thatch, and fibre – make up rumah adat. [5] The traditional house of Nias has post, beam, and lintel construction with flexible nail-less joints, and non-load bearing walls are typical of rumah adat. Traditional dwellings have developed to respond to Indonesia's hot and wet monsoon climate.
A traditional Sundanese house with Julang Ngapak roof and Capit Gunting ornament in Papandak, Garut circa 1920s.. Sundanese traditional house refers to the traditional vernacular houses of the Sundanese people, who predominantly inhabited the western parts of Java island (West Java and Banten provinces, and the western part of Central Java, including Brebes and Cilacap), Indonesia.
Gopalan Nair Shankar, known as G. Shankar, is an architect from Kerala, India. [1] He advocates the use of locally available materials, sustainability, eco-friendliness and cost effectiveness. He founded the Habitat Technology Group, Thiruvananthapuram, in 1987 and as of 2012 [update] , serves on a number of boards. [ 2 ]
Uma Shankar Pandey (born 5 February 1971) is an Indian social worker who is known for his work and contributions to groundwater conservation. [1] He launched the 'Khet mein Med, Med Par Ped (Trees on weirs in farms)' campaign in 2005, [ 2 ] to conserve water by constructing bunds in the fields.
The Leopold matrix is a qualitative environmental impact assessment method developed in 1971 by Luna Leopold and collaborators for the USGS. [1] It is used to identify and assign numerical weightings to potential environmental impacts of proposed projects on the environment. [1]
The film's accompanying soundtrack on the film is composed by Shankar–Ehsaan–Loy. Akhtar and Kapoor sang all parts of their respective songs. According to Saudagar, the soundtrack was as pivotal as the script to the development of the film. Shankar composed the music side by side when Chaudhuri was working on the script. [22]
Swami Vivekananda's personal life's troubles, anxiety, his health, diseases, intimate side of him —these are the main topics of the book. In this book, Shankar portrayed "The Monk" as "a man". The book is divided into five chapters (except "Foreword" and "Acknowledgement")—
Shri Ram Centre for Art and Culture, Delhi. The present building of the Centre opened in the early ’60s. It was designed by Shiv Nath Prasad with help from theatre doyen, Ebrahim Alkazi, and was constructed under the overall supervision of industrialist Vinay Bharat Ram of Shriram Group (), from the industrialist family of Lala Shri Ram.