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Dances are facilitated by a dance leader who often plays a drum, guitar, flute or other stringed instrument. For lyrics, dances borrow inspirational poetry, quotes and chants which are sung as the dance is performed. [4] Chants are often sacred phrases put to traditional, contemporary, or occasionally improvised melodies.
Whatever the origins of Shiva's dance, it became in time the clearest image of the activity of God which any art or religion can boast of." - Ananda Coomaraswamy [9] The 108 Karanas of Tandava depicted in Nataraja sculptures. The dance is described as a pictorial allegory of the five principle manifestations of eternal energy: [9]
The dance was "a kind of moving meditation" for her. [23] Christine Ottery, in The Guardian, states that "ecstatic dancing has an image problem" and "encompasses everything from large global movements such as 5 Rhythms and Biodanza to local drum'n'dance meet-ups". She suggests that readers may "find 5 Rhythms a good place to start", and does so ...
2. "Dancers are made, not born." –Mikhail Baryshnikov 3. "The body says what the words cannot." –Martha Graham 4. "To be fond of dancing was a certain step towards falling in love."
The ecstatic Kouretes dancing around the infant Zeus, depicted by Jane Ellen Harrison, 1912. Little is known directly of ecstatic dance in ancient times. However, Greek mythology does have several stories of the Maenads; the maenads were intoxicated female worshippers of the Greek god of wine, Dionysus, known for their "ecstatic revelations and frenzied dancing".
The Balinese Sacred Dance Sanghyang Dedari involves girls being possessed by hyang, Bali, Indonesia. The theologian W. O. E. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers; the other purposes were to "show off" before the powers; to unite the dancer with a supernatural power, as in the dances for the Greek goddesses ...
The Ghost Dance of 1889–1891, depicting the Oglala at Pine Ridge Indian Reservation in South Dakota, by Frederic Remington in 1890. The Ghost Dance (Caddo: Nanissáanah, [1] also called the Ghost Dance of 1890) is a ceremony incorporated into numerous Native American belief systems.
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