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Doors were often surmounted by decorative fanlights in which the panes of glass might be supported by lead, but wood was also commonly used as the support for the glass in fanlights. Casement windows and fixed windows continued to employ leadlight, often with larger panes of rectangular rather than diamond shape.
A Tiffany lamp is a type of lamp made of glass and shade designed by Louis Comfort Tiffany or artisans, mostly women, and made (in originals) in his design studio. The glass in the lampshades is put together with the copper-foil technique instead of leaded, the classic technique for stained-glass windows.
Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
The Champagne Standard Lamps are made of copper alloy. They stand 1.6 metres (5.2 ft) high. They each comprise ten stacked champagne coupes, some of which function as ashtrays, mounted on papier-mâché trays and surmounted by light fittings. [1] The V&A considers them among "the most important examples of Surrealist lighting in Britain". [14]
The Crusie lamp consists of two lamp pans, one above the other. Fuel drip from the upper lamp pan fell into the lower pan minimizing oil/grease mess below the lamp. In the evolution to the Betty lamp, replacing the upper lamp pan with a metal wick holder inside the lower pan reduces the amount of metal needed for the lamp.
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