Ads
related to: whirlwind mic cables and adaptersebay.com has been visited by 1M+ users in the past month
crutchfield.com has been visited by 100K+ users in the past month
Search results
Results from the WOW.Com Content Network
Popular microphone connector from 1930s to 1980s, originally manufactured by Amphenol. Amphenol sold this production to WPI Interconnect in early 1980s. The Amphenol 80-MC2M, which mates with the 80-PC2F, microphone connector was popular with American radio manufacturers (1950s to 1970s). The Amphenol 80-PC2F connector, that mates with the 80-MC2M
Whirlwind USA is a manufacturer of audio interfacing equipment and custom audio interfacing, including digital products that employ the EtherSound standard. [1] In addition, Whirlwind manufactures guitar effects pedals .
† Although the mic input is usually mono, the input is still a TRS phone socket. Many mono 'computer' mics are fitted with TRS plugs. The tip is for the MIC and the ring is for power (to power an electret-condenser style MIC). There are exceptions to the above: Hosa cables use grey and orange for left and right analogue channels.
They often appeared next to a 3.5 mm microphone jack for a remote control on-off switch on early portable tape recorders; the microphone provided with such machines had the on-off switch and used a two-pronged connector with both the 3.5 and 2.5 mm plugs. They were also used for low-voltage DC power input from wall adapters.
XLR3 cable connectors female (left) and male. The XLR connector is a type of electrical connector primarily used in professional audio, video, and stage lighting equipment. XLR connectors are cylindrical, with three to seven connector pins, and are often employed for analog balanced audio interconnections, AES3 digital audio, portable intercom, DMX512 lighting control, and for low-voltage ...
Typical live use of a multicore (thick cable on stage) Multicores usually create a link between the stage and sound desk, or live room and control room.When used in sound reinforcement, the multicore cable runs from the stage box or microphone splitter to the front-of-house sound desk, where it connects to a mixing console. [2]
Many microphones operate at low voltage levels and some with high output impedance (hi-Z), which makes long microphone cables especially susceptible to electromagnetic interference. Microphone interconnections are therefore a common application for a balanced interconnection, which allows the receiver to reject most of this induced noise.
The transient generated when a microphone is hot-plugged into an input with active phantom power can damage the microphone and possibly the preamp circuit of the input [10] because not all pins of the microphone connector make contact at the same time, and there is an instant when current can flow to charge the capacitance of the cable from one ...
Ads
related to: whirlwind mic cables and adaptersebay.com has been visited by 1M+ users in the past month
crutchfield.com has been visited by 100K+ users in the past month