Search results
Results from the WOW.Com Content Network
"Right Down the Line" is a song written and recorded by Scottish singer-songwriter Gerry Rafferty. Released as a single in the US in July 1978, it was the follow-up to his first major hit as a solo artist, " Baker Street ", and reached No. 12 on the US Billboard Hot 100, [ 3 ] No. 8 on Cash Box [ 4 ] and No. 1 on the Adult Contemporary charts.
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
HOT WIRE: The Journal of Women's Music and Culture was a women's music magazine published three times a year from 1984–1994. [26] [27] It was founded in Chicago by volunteers Toni Armstrong Jr., Michele Gautreaux, Ann Morris and Yvonne Zipter; Armstrong Jr. became the sole publisher in 1985. [28]
Most university textbooks on the history of music almost exclusively discuss the role of male composers, while very few works by women composers are part of the standard repertoire of classical music. In the Concise Oxford History of Music, for example, Clara Schumann is one of the only women composers mentioned. [13]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
"But that music is a language by whose means messages are elaborated, that such messages can be understood by the many but sent out only by the few, and that it alone among all language unites the contradictory character of being at once intelligible and untranslatable—these facts make the creator of music a being like the gods and make music itself the supreme mystery of human knowledge."
The range of possible topics is virtually limitless. Some examples might be "Music during World War I," "Medieval and Renaissance instrumental music," "Music and politics," "Mozart's Don Giovanni, or Women and music." The methods and tools of music history are nearly as many as its subjects and therefore make a strict categorization impossible.
In theory, "music history" could refer to the study of the history of any type or genre of music, such as the music of India or rock music. In practice, these research topics are more often considered within ethnomusicology and "historical musicology" is typically assumed to imply Western Art music of the European tradition.