Search results
Results from the WOW.Com Content Network
"Katyusha" (Russian: Катюша [kɐˈtʲuʂə] ⓘ; a diminutive form of Екатерина, Yekaterina, 'Katherine') is a Soviet-era folk-based song and military march composed by Matvey Blanter in 1938, with lyrics in Russian written by the Soviet poet Mikhail Isakovsky.
Glinka uses the principle from folk song of allowing the musical structure to unfold around a thematic constant—or actually two constants, since he uses two folk songs. [10] He varies the background material surrounding these songs more than the songs themselves— orchestral color (timbre) , harmonization , counterpoint .
Kamarinskaya (Russian: камаринская) is a traditional Russian folk dance, which is mostly known today as the Russian composer Mikhail Glinka's composition of the same name. Glinka's Kamarinskaya , written in 1848, was the first orchestral work based entirely on Russian folk song and to use the compositional principles of that genre to ...
Paul Robeson recorded the song in 1942 under the title "Song of the Plains", sung both in English and Russian. It was released on his Columbia Recordings album Songs of Free Men (1943). The Swedish jazz pianist Jan Johansson recorded a version of the song in 1967 under the title "Stepp, min stepp" (steppe, my steppe) on the album Jazz på ryska ...
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Diminution is a form of embellishment or melodic variation in which a long note or a series of long notes is divided into shorter, usually melodic, values, as in the similar practices of breaking or division in England, passaggio in Italy, double in France and glosas or diferencias in Spain. [1]
The word dumka literally means "thought". Originally, it was the diminutive form of the Ukrainian term duma, pl. dumy, "a Slavic (specifically Ukrainian) epic ballad … generally thoughtful or melancholic in character". [1] Classical composers drew on the harmonic patterns in the folk music to inform their more formal classical compositions.
The term was first applied to music during the 16th century, at first to refer to the imaginative musical "idea" rather than to a particular compositional genre. Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France.