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Relief fragment of Mara in Gandhara style, found in Swat Valley The demons of mara. Palm leaf manuscript. Nalanda, Bihar, India Mara's assault on the Buddha (an aniconic representation: the Buddha is only symbolized by his throne), 2nd century, Amaravati Stupa, India Mara, his lustful daughters, and demonic army, attempting to tempt Buddha, on a 10th-century icon from Mogao Caves
The Buddha's sangha continued to grow during his initial travels in north India. The early texts tell the story of how the Buddha's chief disciples, Sāriputta and Mahāmoggallāna, who were both students of the skeptic sramana Sañjaya Belaṭṭhiputta, were converted by Assaji.
When Mara and his army of evil tried to prevent the future Buddha from achieving enlightenment, the Buddha asked the earth to bear testimony for his deeds and Girimekhala fell in front of the Buddha. [2] [3] Girimekhala appears in the Buddhist chant Buddha-jaya-maṅgala Gāthā (Verses of the Buddha's Auspicious Victories): [4]
Thoranee called tonnes of water and flooded away the maras. The episode results in the name Mara Vichai which means the "Victory (vichai) over the Mara". The Māravijaya seated Buddha is considered the common attitude for principal Buddha in ubosots of Khmer, Lao and Thai wats and Burmese kyaungs. [citation needed] A Dakkhiṇasākhā statue of ...
MĀRA: A Chamber Opera on Good and Evil is an American chamber opera in two acts composed by Sherry Woods to a libretto by Stephen Batchelor. [1] The opera humanizes the story of Siddhattha Gotama (the Buddha) and his encounters with Māra, Taṇhā (Māra's daughter), and the demonic figures that appear to him as he seeks a way to live an awakened life in the world.
According to some versions of the story, the Buddha intercepts King Virudhaka once and convinces him to turn back, but the king later changes his mind and continues the invasion. [65] [66] In other versions of the story, the Buddha intercepts King Virudhaka two times, and in some versions three times before ceasing to intervene in the next attempt.
The author has prepared an account of the Buddha's life and teachings which, unlike other treatments such as Mahavastu (“Great Story”) and Lalitavistara (“Full Description of the Play [of the Buddha]”), is not only artistically arranged but also restrained in the description of the miracles of Gautam Buddha. His work also reflects a ...
The word jarā is related to the older Vedic Sanskrit word jarā, jaras, jarati, gerā, which means "to become brittle, to decay, to be consumed". The Vedic root is related to the Latin granum , Goth. kaurn , Greek geras, geros (later geriatric) all of which in one context mean "hardening, old age".