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Only two quadrangular instruments occur within the Irish context on the west coast of Scotland and both carvings date two hundred years after the Pictish carvings. [14] The first true representations of the Irish triangular harp do not appear till the late eleventh century in a reliquary and the twelfth century on stone and the earliest harps used in Ireland were quadrangular lyres as ...
The Celtic harp developed into an instrument distinct from other types of medieval harp. For instance, it featured a trapezoid-shaped soundboard, curved column, and wire strings. Irish bards who traveled extensively throughout Europe brought knowledge of this style of instrument to the continent. Dante references this instrument in his writings ...
The Trinity College harp is the national symbol of Ireland, being depicted on national heraldry, Euro coins and Irish currency. A left-facing image of this instrument was used as the national symbol of Ireland from 1922, and was specifically granted to the State by the Chief Herald of Ireland in 1945. [7]
Circa 1200 A.D, England. David playing a harp. Resembles Celtic harp. Circa 1280 A.D., Spain. Sephardic Jewish musicians playing harps in the Musicians Codex of the Cantigas de Santa Maria. Lute [55] Rebec or rebab (left), lute right. Circa 1376, Spain. Lute player, detail from Mare de Déu de la Llet (Our Lady of Milk) by Lorenzo Zaragoza ...
The Armenian translation of the Bible gives a lot of information about early medieval Armenian musical instruments. The translators of the Bible use the name harp among other quite popular musical instruments. In Armenian a verb has been formed from the name of the instrument: տաւղել which means to play the harp.
Stone carvings indicate the instruments known in Scotland, including the harpists on the early Medieval Monifeith Pictish stone and the Dupplin Cross. [6] Two of the three surviving Medieval Celtic harps are from Scotland: the Lamont Harp, dated to about 1500 and the highly elaborate Queen Mary Harp, from around 1450. [7]
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Recent research suggests that the style of ornamentation in pibroch points to earlier origins in wire-strung Gaelic harp music, in particular the use of rapid descending arpeggios as gracenotes. [37] The wire-strung clàrsach was traditionally the primary high status aristocratic instrument in Gaelic Scotland and Ireland. The art music ...