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For example, a tempo of 60 beats per minute signifies one beat per second, while a tempo of 120 beats per minute is twice as rapid, signifying two beats every second. The note value of a beat will typically be that indicated by the denominator of the time signature. For instance, in 4 4 time, the beat will be a crotchet, or quarter note.
One difficulty in defining rhythm is the dependence of its perception on tempo, and, conversely, the dependence of tempo perception on rhythm. Furthermore, the rhythm–tempo interaction is context dependent, as explained by Andranik Tangian using an example of the leading rhythm of "Promenade" from Moussorgsky's Pictures at an Exhibition:([40 ...
In time (i.e. the performer should return to the stable tempo, such as after an accelerando or ritardando); also may be found in combination with other terms such as a tempo giusto (in strict time) or a tempo di menuetto (at the speed of a minuet) ab (Ger.) off, organ stops or mutes abafando (Port.) muffled, muted abandon or avec (Fr.)
According to Andranik Tangian, [7] analytical phrasing can be quite subjective, the only point is that it should follow a certain logic. For example, Webern’s Klangfarbenmelodie-styled orchestral arrangement of Ricercar from Bach’s Musical offering demonstrates Webern’s analytical phrasing of the theme, which is quite subjective on the one hand but, on the other hand, logically consistent:
While today the term grave is widely understood to be slower than the tempo terms largo and adagio, music theorists and composers of the 17th and 18th century were not so consistent in their interpretation and use of these terms, with some composers marking scores with grave but with performance descriptions described elsewhere that would ...
Polyrhythm: Triplets over duplets in all four beats [1] 2:3 polyrhythm (cross rhythm) as bounce inside oval Polyrhythm (/ ˈ p ɒ l i r ɪ ð əm /) is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. [2]
For example, a 4/4 time signature at 100 BPM will have a different number of bars per minute than a 3/4 piece at the same tempo of 100 BPM, (an example of L'istesso Tempo). Some inclusion of the role of time signature in indicating tempo might be worthwhile, even though it usually plays only a small indicative role.
A click track is a series of audio cues used to synchronize sound recordings, sometimes for synchronization to a moving image.The click track originated in early sound movies, where optical marks were made on the film to indicate precise timings for musical accompaniment.
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