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Thodu, ear stud or ear rings. Kadukkan, small stud with single stone for men. Olai, large ear studs. Pampadam,gold earring with hallow balls and squares filled with lac. Worn by old ladies with big ear hole. Maattal, chain shaped jewel used to hook in the hair from the ear ring stud or nose stud. Lolakku, a designer jewel that hung from the ear ...
Eventually, some men started wearing full European styles, like a pantsuit. Although one major difference that remained between Indian and European men's fashion was the style and etiquette of head coverings. Some Indian men wore this for religious purposes, like turbans and phetas. For Indian men, it was important to wear this at all times in ...
North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
Ruby ring. A ring is a round band, usually made of metal, worn as ornamental jewelry.The term "ring" by itself denotes jewellery worn on the finger; when worn as an ornament elsewhere, the body part is specified within the term, e.g., earrings, neck rings, arm rings, and toe rings.
Lerner, Martin and Kossak, Steven, The Lotus Transcendent: Indian and Southeast Asian Art from the Samuel Eilenberg Collection, 1991, Metropolitan Museum of Art (New York, N.Y.), ISBN 0870996134, 9780870996139, google books "V&A": "Ring stone" in collection; Thapar, Romila (1973). Aśoka and the decline of the Mauryas. Delhi: Oxford University ...
The use of iron and steel in armor-making not only enhanced the defensive capabilities of warriors but also showcased the advanced metallurgical skills present in ancient Indian civilization. In the Arthashastra, the Patta armor is described as a coat of iron , steel or animal skins with hoofs and horns of various animals like porpoise ...
The designs vary, but all examples are finely carved, despite their small size. A number of components appear in a variety of arrangements. Typically the innermost zone, which runs down the sloping sides of the hole, has four standing female figures, many are nude "with fully exposed genitalia", bent knees pointing outward, and heels together, with jewelry and elaborate hairstyles, and trees ...
Indian numismatists followed with a deeper examination of karshapana, notably Durga Prasad, D.D. Kosambi, [19] A.S. Altekar, and Parmeshwari Lal Gupta. [20] Gupta and Hardaker's Punchmarked coinage of the Indian subcontinent: Magadha-Mauryan series , last updated in 2014, is the most complete catalog of karshapana for those issuers but does not ...
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