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The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer ...
A blank space means that manufacturer did not make film in that size. Two numbers in one box refers to films available with different numbers of exposures, usually 6 and either 10 or 12. Spool length is measured between inner faces of the flanges; several films of the same image size were available on different spools to fit different cameras.
The difference is that whilst D1 has a 4:3 aspect ratio 960H has a 16:9 widescreen aspect ratio. The extra pixels are used to form the increased area to the sides of the D1 image. The pixel density of 960H is identical to standard D1 resolution so it does not give any improvement in image quality, merely a wider aspect ratio.
image/tga Texture format used by many 3d application. Yes TIFF: Tag Image File Format Adobe Systems.tiff, .tif image/tiff Document scanning and imaging format, also functions as a container. Yes TIFF/EP: Tag Image File Format / Electronic Photography International Organization for Standardization TIFF.tiff, .tif UFO: Ulead File for Objects .ufo VML
Frame number markings for three standard image formats (6×4.5, 6×6, and 6×9 [4:3, 1:1, and 2:3 aspect ratios]; see below) are printed on the backing paper. The 220 format was introduced in 1965 and is the same width as 120 film, but with about double the length of film and thus twice the number of possible exposures per roll.
The main benefit of medium-format photography is that, because of the larger size of the film or digital sensor (two to six times larger than 35 mm), images of much higher resolution can be produced. This allows for bigger enlargements and smooth gradation without the grain or blur that would characterize similarly enlarged images produced from ...
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