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Baro't saya ("blouse and skirt") made of Taiwan Jusi and Alampay and kimona inspired with Malolos Pabalat a "free-form" and impromptu fashion Source: my photography, my own work using my own camera taken on 19 January 2025.
Tagalog maginoo (nobility) wearing baro in the Boxer Codex (c.1590). Baro't saya evolved from two pieces of clothing worn by both men and women in the pre-colonial period of the Philippines: the baro (also barú or bayú in other Philippine languages), a simple collar-less shirt or jacket with close-fitting long sleeves; [5] and the tapis (also called patadyong in the Visayas and Sulu ...
A type of overcoat traditionally worn by shop keepers, sometimes as uniform by employees of the shop (not unlike a propaganda kimono, but for advertising business), typically with brightly-coloured designs in white, red and blue, often featuring text in Edomoji. The happi is now associated mostly with festivals. Haramaki (腹巻, lit. ' belly ...
The first instances of kimono-like garments in Japan were traditional Chinese clothing introduced to Japan via Chinese envoys in the Kofun period (300–538 CE; the first part of the Yamato period), through immigration between the two countries and envoys to the Tang dynasty court leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. [1]
The upper-class women wore more elaborate baro't saya sewn with beads and colorful designs. The skirt is also wider than what lower classes wore. These types of clothing that are "simple yet functional" that have both indigenous Filipino qualities and Spanish influence started to become prominent during the 16th-century in the Philippines.
The use of bold colours and intricate designs spurred on by technological advancements can also be seen in the clothing of infants and young children represented in the Collection, including a boy's kimono and under-kimono set decorated with cranes and pine trees, and a girl's set that combines a deep blue outer-kimono with a bright red under ...
As a result, the propaganda kimono designs took on an increasing militaristic air. [7] Wartime animated characters, such as Norakuro, were also frequently appeared in war propaganda kimono textiles. [13] Only since the late 20th-century have scholars in Japan, Europe and the United States begun to seriously study Japanese propaganda kimono. [14]
Tansu are commonly used for the storage of clothing, particularly kimono. Tansu were first recorded in the Genroku era (1688–1704) of the Edo period (1603–1867). The two characters, tan ( 箪 ) and su ( 笥 ) , appear to have initially represented objects with separate functions: the storage of food and the carrying of firewood.