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The band was formed as a result of Lyle and McEwan meeting during a co-writing workshop in 2012 in North Hollywood, CA. [2] [3] Inspired in part by the score for Drive, and the retro synth genre growing around its release, [3] the pair wrote two singles, "WeMoveForward" and "Gloria", that would be released two years later in 2014 as part of their debut EP titled Days of Thunder.
The album deals with themes of romance, lost love and nostalgia within a backdrop of 1980s-style synthwave. [5] In an interview with Icon vs Icon, the band confirmed that Monsters is a thematic continuation of their previous album Kids, focusing on adolescence, closeness and alienation from the perspective of a teenager.
It has since garnered over 9,000,000 views on YouTube. Woods performing in 2016. On July 1, 2016, Wood's debut mixtape, Waking at Dawn, was released and promoted by Woods and other artists, including Drake and Wiz Khalifa through social media. [8] [non-primary source needed] On December 23, 2016, Woods released his second EP, titled Nocturnal. [9]
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
"Midnight Sun" also became part of the repertoire of Carmen McRae after she recorded it first in 1955. Tribute albums to both singers by following jazz vocalists such as Dee Dee Bridgewater or Vanessa Rubin included the song associated with them, and Natalie Cole also sang the song in a tribute show called "We Love Ella" at the University of ...
Nocturne, Op. 60, is a song cycle by Benjamin Britten, written for tenor, seven obbligato instruments and strings. [1] The seven instruments are flute, cor anglais, clarinet, bassoon, harp, French horn and timpani.
Lyrically, "Midnight to Six Man" was a "celebration" of the band's nocturnal visits to London's nightclubs. [15] [21] [25] According to Alexis Petridis, the song's lyrics were a "paean to the life of a jobbing musician so evocative you can almost smell the sweat and cigarette smoke". [8] [26]
Brian Fuente, a contestant on the second season of the U.S. version of The Voice, covered the song in his blind audition.; Ashley De La Rosa, another contestant on the second season of the U.S. version of The Voice, covered the song for her last chance performance.