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Other pieces that women frequently wore were thin bands of gold that would be worn on the forehead, earrings, primitive brooches, chokers, and gold rings. Although women wore jewellery the most, some men in the Indus Valley wore beads. Small beads were often crafted to be placed in men and women's hair. The beads were about one millimetre long.
Paper quilling. Quilling is an art form that involves the use of strips of paper that are rolled, shaped, and glued together to create decorative designs. The paper shape is manipulated to create designs on their own or to decorate other objects, such as greetings cards, pictures, boxes, or to make jewelry.
Total carat weight (t.c.w.) is a phrase used to describe the total mass of diamonds or other gemstone in a piece of jewelry, when more than one gemstone is used. Diamond solitaire earrings, for example, are usually quoted in t.c.w. when placed for sale, indicating the mass of the diamonds in both earrings and not each individual diamond.
The art of working gold was predominantly done by repoussé and granulation techniques, in which the traditional methods can still be witnessed today. In the contemporary era, Malay gold jewels are mainly found in the form of anklets, bracelets, rings, necklaces, pendants and earrings. [168] [169]
Textiles such as the batik, songket, Pua Kumbu, and tekat are used for decorations, often embroidered with a painting or pattern. Traditional jewelry was made from gold and silver adorned with gems, and, in East Malaysia, leather and beads were used to the same effect. [66]
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Pair of gold earrings, 1st century BCE, Andhra Pradesh. The Indian subcontinent has the longest continuous legacy of jewellery-making, with a history of over 5,000 years. [ 76 ] Using jewellery as a store of capital remains more common in India than in most modern societies, and gold appears always to have been strongly preferred for the metal.
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