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Nuclear Energy (1964–1966) (LH 526) is a bronze sculpture by Henry Moore on the campus of the University of Chicago at the site of the world's first nuclear reactor, Chicago Pile-1. The first human-made self-sustaining nuclear chain reaction was created here on December 2, 1942. [ 2 ]
Man Enters the Cosmos is a cast bronze sculpture by Henry Moore located on the Lake Michigan lakefront outside the Adler Planetarium in the Museum Campus area of downtown Chicago, Illinois. The sculpture is a functional bowstring equatorial sundial created in 1980 measuring approximately 13 feet (4.0 m).
Henry Moore Foundation LH 154a Image online [133] Carving [132] 1935 Walnut wood H 96.5 Henry Moore Foundation LH 158 Image online [134] Carving [132] 1935 African wonder stone H 15.2 LH 157 Image online [135] Sculpture [132] 1935 White marble L 55.9 Art Institute of Chicago: LH 161 Image online [136] Reclining Figure [137] 1936 Elm wood L 88.9 ...
The atom captivated the world in 1939. Since the discovery of the neutron in the early 1930s, the international scientific community had been racing to unlock new elements and further understand ...
The main representative of the arte nucleare movement was Piero Manzoni, who in this context, for the first time in his life, put his talent in evidence. [6] Unlike Eaismo, recommending artists to pursue painting values (and poetry), [3] the arte nucleare movement tried to promote a new form of art in which painting was marginalized. [7]
Henry Spencer Moore OM CH FBA (30 July 1898 – 31 August 1986) was an English artist. He is best known for his semi-abstract monumental bronze sculptures which are located around the world as public works of art.
Sculptures by the British sculptor Henry Moore (1898–1986). Pages in category "Sculptures by Henry Moore" The following 44 pages are in this category, out of 44 total.
UNESCO Reclining Figure 1957–58 is a sculpture by Henry Moore.It was made in a series of scales, from a small plaster maquette, through a half-size working model made in plaster and cast in bronze (LH 415), to a full-size version carved in Roman travertine marble in 1957–1958 (LH 416). [1]