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Presence controls can also be found on electric guitar amplifiers. The first presence control on a Fender amplifier, for example, appeared in 1954 on the Twin. In 1955 it appeared on the 1/15 Pro-Amp, the 3/10 Bandmaster, the 2/10 Super, [4] and the 4/10 Bassman. [5] The original Fender presence control acted upon the amplifier's negative ...
Some electric guitar amps have three controls in the volume section: pre-amplifier, distortion, and master control. Turning up the preamp and distortion knobs in varying combinations can create a range of overdrive tones, from a gentle, warm growling overdrive suitable for a traditional blues show or a rockabilly band to the extreme distortion ...
Power attenuator (THD Hot Plate) on Marshall 1959 Super Lead Plexi. A power attenuator, used with a guitar amplifier, is a type of attenuator that diverts and dissipates a portion of the amplifier's power to enable hearing the amplifiers high-volume characteristics at lower volume.
Trainwreck amplifiers are renowned for their dynamic overdrive sound and response. They can deliver a wide range of clean signals and high-gain overdrive solely with the manipulation of the guitar's volume knob. Most Trainwreck amps have five control knobs (volume, treble, mid, bass, presence).
Most guitarists use floor pedal effects between the guitar and the amplifier, or they use rack effects through the amplifier effects loop. Some amplifier manufacturers have been including a level/gain control with the effects loops to allow for the use of floor pedals through the effects loop, rather than in-line between the guitar and amplifier.
Acoustic Control Corporation went out of business in the 1980s, then returned under the name True Tone Audio as a manufacturer of P.A. amplifiers. Latter-day employee and designer Steve Rabe went on to establish specialist bass amplifier manufacturer SWR (now owned by Fender Musical Instruments Corporation) in 1984, then Raven Labs in 1998.
Old Amps with New Mods. Courtesy of Marshall ... the world have been doing things like adding a master volume control, bright cap and drive stages to their plexis and/or gain boosts, mid boosts ...
The Guitar Rig environment is a modular system, providing capabilities for multiple amplifiers, effects pedals and rack mounted hardware.Primarily designed for electric guitar and bass, the software uses amplifier modeling to allow real-time digital signal processing in both standalone and DAW environments via plug-in (VST/DXi/RTAS/AU).
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