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Recapitulation. Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 58-80 Play ⓘ. [1] In music theory, the recapitulation is one of the sections of a movement written in sonata form. The recapitulation occurs after the movement's development section, and typically presents once more the musical themes from the movement's exposition.
Early examples of sonata form resemble two-reprise continuous ternary form. [1] Sonata form, optional features in parentheses [2]. The sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation.
Mozart sometimes used a variant type of sonata rondo form in which the first "A" section of the recapitulation is omitted. Thus: [A B' A] exp [C"] dev [B A] recap Mozart's purpose was perhaps to create a sense of variety by not having the main theme return at such regular intervals.
Sonata Theory, in contrast, reserves the term "recapitulation" for instances in which the beginning of a rotation coincides with the return of the tonic key. Thus, the arrival of S in the middle of a Type 2 second rotation functions as a "tonal resolution" but not as the beginning of a recapitulation, because it does not initiate a new rotation.
In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as ...
The recapitulation contains no coda and the movement ends quietly and unassumingly. Tovey wrote, "The opening of the second subject in the first movement is a wonderful example of the harmonic principle previously mentioned...In all music, nothing equally dramatic can be found before the D minor sonata, Op. 31 No. 2 which is rightly regarded as ...
The first movement is in sonata form and common time: it has a repeated exposition with two subject groups, a development section, a recapitulation and a coda. [2] The movement opens with repeated pianissimo chords in a straightforward but anxious rhythm, devoid of melody for two bars:
The fourth movement is a “binary variant of sonata form in which the opening eight measures of the exposition do not return in the recapitulation. [10] The beginning theme does return (m. 41) before the recapitulation, but as the theme is now in dominant, it cannot be considered part of the recapitulation.