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Georgia O'Keeffe, Untitled, vase of flowers, watercolor on paper, 17 + 3 ⁄ 4 in × 11 + 1 ⁄ 2 in (45.1 cm × 29.2 cm), between 1903 and 1905. O'Keeffe experimented with depicting flowers in her high school art class. Her teacher explained how important it was to examine the flower before drawing it.
The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
In the 19th century, two contrasting methods of describing the flower were introduced: the textual floral formulae and pictorial floral diagrams. [2] Floral diagrams are credited to A. W. Eichler, whose extensive work Blüthendiagramme [3] [4] (1875, 1878) remains a valuable source of information on floral morphology.
There are many perfectly identifiable flowers in books like The Book of Hours [11] (two volumes) by the Master of Flowers (Maître-aux-fleurs, 15th century) or Jean Bourdichon's Grandes Heures of Anne of Brittany (between 1503 and 1508), with 337 plants from the Queen's garden, captioned in Latin and French. These artists' objective was, though ...
Transfer technique (drawing) Trompe-l'œil technique Verdaille example A Chinoiserie Procession of Figures Riding on Elephants with Temples Beyond by Jean-Baptiste Pillement
Another technique similar to contour drawing is outline drawing; a division between form and the space a subject occupies. [4] All three types of drawing are considered to be gesture drawings; [4] the practice of drawing a series of bodies in still form. An outline drawing does not include the visual amusement of human sight, while a contour ...
Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
In the jiyūka (自由花, ' free flowers ') [27] style, creative design of flower arranging is emphasised, with any material permissible for use, including non-flower materials. In the 20th century, with the advent of modernism , the three schools of ikebana partially gave way to what is commonly known in Japan as "Free Style".