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On an episode of Cake Boss, Buddy and his bakers visited Sesame Street, and Danny could be seen inside Oscar's trash can. He tries his best Oscar impression by saying "I live in the trash." Oscar can also be seen at the end when Buddy reveals his cake, but then goes back in his trash can, ostensibly to get away from the laughing and cheering.
In the episode Sesame Street Visits the Firehouse, Gordon mentions that Oscar's trash can has "Two elephants, a puppy, a rhino, a goat, and a worm." The interior of Oscar's trash can was first explored in the 1999 film The Adventures of Elmo in Grouchland when Elmo impatiently enters the trash can in search of his blanket. In Season 46, as part ...
In episode 3891, his old friend Felix the Grouch sang a variation called "I Love Cleaning" while Oscar sang "I Love Trash". Yet another variation occurs when Oscar's trash can was grown to a larger size and the lyrics were adjusted to accommodate (a clip can be seen in Sesame Street All-Star 25th Birthday: Stars and Street Forever!).
Here's where to stream the short films nominated in the live-action, animation, and documentary categories at the 96th Academy Awards.
Best Picture. American Fiction. Anatomy of a Fall. Barbie. The Holdovers. Killers of the Flower Moon. Maestro. Oppenheimer. Past Lives. Poor Things. The Zone of Interest
The ongoing struggle to elevate animated features to the same level of best-picture recognition as live-action films will undoubtedly resurface by year’s end. ... “Inside Out 2,” a film that ...
Oscar Peterson: Black + White is a 2021 Canadian documentary film directed by Barry Avrich. [1] The film is a portrait of influential Canadian jazz icon Oscar Peterson, featuring interviews with and performances of his music by figures including Billy Joel, Jon Batiste, Quincy Jones, Ramsey Lewis, Herbie Hancock, Branford Marsalis, Dave Young, Larnell Lewis, Jackie Richardson, Joe Sealy ...
Black film allowed them to scratch onto the film. They used India ink, watercolour, cell paint, dust, various brushes, sprayers, finely crumpled paper; netting, mesh and fine lace acted as stencils. Dust was sprinkled onto wet dye, which formed circles as it recoiled from each dust speck; black opaque paint created a crackle pattern as it dried.