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Christ Leaving the Praetorium is an oil-on-canvas painting by French artist Gustave Doré, created between 1867 and 1872. It was the largest of his religious paintings, with the dimensions of 609 by 914 cm, and is considered to be the "the work of his life". The painting was a great success, and it was reproduced in engraving in 1877. [1]
See also Category:Christian symbols For representations of Christianity in mainstream popular culture, see Category:Christianity in popular culture Wikimedia Commons has media related to Christian art .
[1] It shows the episode that gave rise to the term "Doubting Thomas" which, formally known as the Incredulity of Thomas, had been frequently represented in Christian art since at least the 5th century [citation needed], and used to make a variety of theological points.
Simeon in the Temple or Simeons song of praise is an oil on canvas painting by the Dutch artist Rembrandt from c. 1669. It has been in the collections of Nationalmuseum in Stockholm since 1949. [1] According to the Gospel of Luke (2: 25-35), the pious Simeon had been promised by God not to die until he saw the Messiah.
The Christian Martyrs' Last Prayer (French: La Dernière Prière des martyrs chrétiens), also known as The Christian Martyrs and The Last Prayer, is an 1883 painting by the French painter Jean-Léon Gérôme. [1] It is part of the collection of the Walters Art Museum in Baltimore.
Carl Christian Anton Christensen (November 28, 1831 – July 3, 1912) was a Danish-American painter who painted the history of the Church of Jesus Christ of Latter-day Saints (LDS Church). [2] Of him, it has been said that he "did more than any other person to capture the images of the history of Mormon migration to Utah and the life lived there".
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