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Chemical staining of wood is rarely carried out because it is easier to colour wood using dye or pigmented stain, however, ammonia fuming is a chemical staining method that is still occasionally used to darken woods such as oak that contain a lot of tannins. Staining of wood is difficult to control because some parts of the wood absorb more ...
High Humidity reduces mechanical damage such as brittle paint but raises the risks of biological organisms, e.g. white efflorescence and green-to-black stains on a panel painting. [12] High Humidity also raises the risks of curving or warping of the wood over time, forcing the paint to flake off.
Danish oil being applied to a wooden plinth. Danish oil is a wood finishing oil, often made of tung oil or polymerized linseed oil. Because there is no defined formulation, its composition varies among manufacturers. Danish oil is a hard drying oil, meaning it can polymerize into a solid form when it reacts with oxygen in the atmosphere. It can ...
Mummy portrait of a girl, AD 120–150, Roman Egypt, wax encaustic painting on sycamore wood. Encaustic is a method of painting that involves dry pigments mixed with hot beeswax, then applied to the surface of a support such as wood or canvas. A completed painting is then finished by taking a source of heat to reheat the surface and fuse it ...
Polycrystalline materials, or polycrystals, are solids that are composed of many crystallites of varying size and orientation. Most materials are polycrystalline, made of a large number crystallites held together by thin layers of amorphous solid. Most inorganic solids are polycrystalline, including all common metals, many ceramics, rocks, and ice.
This is also in part due to polyurethane's lesser penetration into the wood. Various priming techniques are employed to overcome this problem, including the use of certain oil varnishes, specified "dewaxed" shellac, clear penetrating epoxy sealer, or "oil-modified" polyurethane designed for the purpose. Polyurethane varnish may also lack the ...
Tung oil has been used for hundreds of years in China, where it was used as a preservative for wood ships. The oil penetrates the wood, and then hardens to form an impermeable hydrophobic layer up to 5 mm into the wood. As a preservative it is effective for exterior work above and below ground, but the thin layer makes it less useful in practice.
One of the qualities for which artists value casein paint is that unlike gouache, it dries to an even consistency, making it ideal for murals. Also, it can visually resemble oil painting more than most other water-based paints, and works well as an underpainting. Casein paint loses its solubility with time and exposure and becomes water-resistant.