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  2. Diminished seventh chord - Wikipedia

    en.wikipedia.org/wiki/Diminished_seventh_chord

    Diminished seventh chords may also be rooted on scale degrees other than the leading-tone, either as secondary function chords temporarily borrowed from other keys, or as appoggiatura chords: a chord rooted on the raised second scale degree (D ♯ –F ♯ –A–C in the key of C) acts as an appoggiatura to the tonic (C major) chord, and one ...

  3. Diminished major seventh chord - Wikipedia

    en.wikipedia.org/wiki/Diminished_major_seventh_chord

    Diminished major seventh chords are very dissonant, containing the dissonant intervals of the tritone and the major seventh.They are frequently encountered, especially in jazz, as a diminished seventh chord with an appoggiatura [citation needed], especially when the melody has the leading note of the given chord: the ability to resolve this dissonance smoothly to a diatonic triad with the same ...

  4. Modulation (music) - Wikipedia

    en.wikipedia.org/wiki/Modulation_(music)

    In short, lowering any note of a diminished seventh chord by a half tone leads to a dominant seventh chord (or German sixth enharmonically), the lowered note being the root of the new chord. Raising any note of a diminished seventh chord by a half tone leads to a half-diminished seventh chord, the root of which is a whole step above the raised ...

  5. Secondary chord - Wikipedia

    en.wikipedia.org/wiki/Secondary_chord

    While the root of a secondary leading-tone chord needs to be the leading-tone, the other notes may vary and form with it one of: the triad [23] or one of the diminished sevenths (as in seventh scale degree [23] or leading-tone, not necessarily seventh chord) where the type of the diminished seventh is typically related to the type of tonicized ...

  6. Locrian mode - Wikipedia

    en.wikipedia.org/wiki/Locrian_mode

    Its tonic chord is a diminished triad (B dim = B dim 5 min 3 = B D F, in the Locrian mode using the white-key diatonic scale with starting note B, corresponding to a C major scale starting on its 7th tone). This mode's diminished fifth and the Lydian mode's augmented fourth are the only modes that contain a tritone as a note in their modal scale.

  7. Diminution - Wikipedia

    en.wikipedia.org/wiki/Diminution

    A diminished triad with a minor seventh is a half-diminished chord, usually notated either Cm 7(♭ 5) or C ø7. A diminished triad played over a root a major third away creates a Dominant 7th chord, notated C 7, with a C Major triad on the bottom, and an E° from the chord third of C (C E G B ♭). A minor third below would give a fully ...

  8. Seventh chord - Wikipedia

    en.wikipedia.org/wiki/Seventh_chord

    The most common chords are tertian, constructed using a sequence of major thirds (spanning 4 semitones) and/or minor thirds (3 semitones). Since there are 3 third intervals in a seventh chord (4 notes) and each can be major or minor, there are 7 possible permutations (the 8th one, consisted of four major thirds, results in a non-seventh augmented chord, since a major third equally divides the ...

  9. Axis system - Wikipedia

    en.wikipedia.org/wiki/Axis_system

    In the case of I or C, C-A-F ♯-D ♯, or an E ♭ fully diminished chord. This connects the axis system not only with diminished chords, which often form the basis for the movement in a piece based on the axis system, but also links the axis system with the diminished scales formed on ♭ III of each of the principal tones: root, subdominant ...

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