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"It Ain't My Fault" was the most-added single at Country radio for the week of January 18, 2017. [6] It first entered the Billboard's Country Airplay on chart date of January 28, 2017 at No. 57, [7] and Hot Country Songs at No. 47 two weeks later, later peaking at 14. [8] The song has sold 356,000 copies in the US as of November 2017. [9]
The chorus of "It Ain't My Fault" samples the jazz song "It Ain't My Fault", which was written by Smokey Johnson and Wardell Quezergue in 1964. Introduced by Harold Dejan's Olympia Brass Band into the contemporary New Orleans brass band repertory, Johnson's and Quezergue's "It Ain't My Fault" has become a standard, recorded by the Treme Brass Band, the Preservation Hall Jazz Band and many others.
Charge It 2 da Game is the second studio album by American rapper Silkk the Shocker (who had previously recorded his first album under the name Silkk), released February 17, 1998, as planned, on No Limit Records in the United States.
"Ain't My Fault" is a song by Swedish singer Zara Larsson from her second studio album So Good (2017). It was released on 2 September 2016 through TEN Music Group and Epic Records as the third single from the album. [ 2 ]
It Ain't My Fault or Ain't My Fault may refer to: It Ain't My Fault 1964 song by Smokey Johnson and Wardell Quezergue which is a continuing standard of New Orleans brass bands "It Ain't My Fault" (Silkk the Shocker song), 1998 "It Ain't My Fault" (Brothers Osborne song), 2017 "Ain't My Fault", a 2016 song by Zara Larsson "Ain't My Fault", a ...
The Eagles are in the midst of a magical season, but the magic could run out quickly without their star quarterback.. Jalen Hurts is one of the Eagles players that Philadelphia can least afford to ...
"It can mean a huge shift coming in your life which can sometimes be viewed as an ending," she explains. But an ending isn't necessarily a bad thing. As Doolittle continues, "[If] one of those ...
His review highlighted the lyrics to "It Ain't My Fault" and the instrumentation of "Stay a Little Longer", concluding that there were "no weak songs". [10] Markos Papadatos of Digital Journal rated it "A−", calling it "a well-crafted project from start to finish" and praising the songwriting and arrangement of the singles in particular. [11]