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So Early in the Spring... The First 15 Years, (or simply So Early in the Spring) is a compilation album by American singer and songwriter Judy Collins, first released as a double LP in 1977. It peaked at No. 42 on the Billboard Pop Albums charts. [4] The LP featured album portraits by renowned photographer Richard Avedon.
The discography of Judy Collins, an American singer and songwriter, consists of 36 studio albums, nine live albums, numerous compilation albums, four holiday albums, and 21 singles. She has two Platinum -certified albums, which includes a greatest hits collection, and four Gold -certified albums.
Bread and Roses is the eleventh studio album by American singer and songwriter Judy Collins, released by Elektra Records in 1976. The album peaked at No. 25 on the Billboard Pop Albums charts. [ 4 ]
The Very Best of Judy Collins is a greatest hits album by singer/songwriter Judy Collins. It includes highlights of her career through 1975. It includes highlights of her career through 1975. All tracks are taken from her Elektra studio albums with one exception, the single version of Collins' biggest hit " Both Sides Now ", which peaked at No ...
The album features classic Judy Collins hits like "Chelsea Morning", "Turn!Turn! Turn!" and "I Think It's Going to Rain Today" with new arrangements. [1] Many of the songs have already been released on various albums released by the singer after the termination of her contract with Elektra Records in the mid-80s.
1901 – "High Society".Composition by Porter Steele. Originally written as a march and published as a rag, the song soon became one of the most popular tunes of the early New Orleans jazz repertoire. [9]
A Maid of Constant Sorrow is the debut album by American singer and songwriter Judy Collins, released in 1961 on Elektra Records and featuring traditional folk songs. [ 2 ] [ 5 ] Content and style
Hard Times for Lovers is the twelfth studio album by American singer and songwriter Judy Collins, released by Elektra Records in 1979.. It was Collins's first new recording since Bread and Roses, in 1976; it earned some extra publicity as a result of the back cover of the Francesco Scavullo-photographed sleeve art, depicting most of a nude Collins as seen from the back.