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Gone From My Sight", also known as the "Parable of Immortality" and "What Is Dying" is a poem (or prose poem) presumably written by the Rev. Luther F. Beecher (1813–1903), cousin of Henry Ward Beecher and Harriet Beecher Stowe. At least three publications credit the poem to Luther Beecher in printings shortly after his death in 1904. [1]
Poems of 1912–1913 are an elegiac sequence written by Thomas Hardy in response to the death of his wife Emma in November 1912. An unsentimental meditation upon a complex marriage, [1] the sequence's emotional honesty and direct style made its poems some of the most effective and best-loved lyrics in the English language.
Children's literature portal; Falling Up is a 1996 poetry collection primarily for children written and illustrated by Shel Silverstein [1] and published by HarperCollins.It is the third poetry collection published by Silverstein, following Where the Sidewalk Ends (1974) and A Light in the Attic (1981), and the final one to be published during his lifetime, as he died just three years after ...
In the early 1980s Harkins sent the piece, with other poems, to various magazines and poetry publishers, without any immediate success. Eventually it was published in a small anthology in 1999. He later said: "I believe a copy of 'Remember Me' was lying around in some publishers/poetry magazine office way back, someone picked it up and after ...
Freya Stark alludes to the poem in the title of "A Peak in Darien" (London, 1976). Vladimir Nabokov refers to the poem in his novel Pale Fire when the fictional poet John Shade mentions a newspaper headline that attributes a recent Boston Red Sox victory to "Chapman's Homer" (i.e. to a home run by a player named Chapman).
His open boat, on which he sailed the day he drowned, was called ‘Ariel’. The title of the Alfred Hitchcock film Rich and Strange (1931) is an allusion to Ariel's Song. In The Waste Land , TS Eliot references "Those are pearls that were his eyes" on multiple occasions.
In this poem, Blake's titular character, a little boy, appears, by lights of Church pedantry, to have questioned religious dogma, to wit: that every person must love God more than themselves or any other; for his sacrilege the boy has instantly become "lost" to the Church. Reacting to his speech, a zealot Priest leaps to denounce the boy and to ...
The Land of Lost Content is a song cycle for voice and piano composed in 1920–21 by John Ireland (1879–1962). It consists of settings of six poems by A. E. Housman from his 1896 collection A Shropshire Lad. [1] [2] A typical performance takes about 11 minutes.