Search results
Results from the WOW.Com Content Network
Gwendolyn B. Bennett (July 8, 1902 – May 30, 1981) was an American artist, writer, and journalist who contributed to Opportunity: A Journal of Negro Life, which chronicled cultural advancements during the Harlem Renaissance. Though often overlooked, she herself made considerable accomplishments in art, poetry, and prose.
William Stanley Braithwaite (1878–1962), poet and literary critic; Gwendolyn Brooks (1917–2000) Claude Brown (1937–2002) Hallie Quinn Brown (1849–1949) Roseanne A. Brown (born 1995) Sterling A. Brown (1901–1989), poet, literary critic, professor, poet laureate of the District of Columbia
(which lasted for one issue in 1926), such as Richard Bruce Nugent (the associate editor of the journal), Jonathan Davis, Gwendolyn Bennett, and Aaron Douglas. [2] [3] The African-American bourgeoisie tried to distance itself from the slavery of the past and sought social equality and racial integration. The Niggerati themselves appeared to be ...
MSNBC political analyst Eddie Glaude Jr. argued during a conversation on the network on Monday that hatred, greed and selfishness were at the center of President-elect Donald Trump's political ...
Tony Bennett's civil rights activism is an essential part of his legacy, and he viewed his entrance into the civil rights movement as a crucial chapter in his life. Tony Bennett, enraged by racism ...
Gottfried Benn (1886–1956), German essayist, novelist and expressionist poet; Gwendolyn B. Bennett (1902–1981), African-US writer and poet; Jim Bennett (born 1951), English poet in Liverpool punk era; Richard Berengarten (born 1943), English poet, writer and translator; Bo Bergman (1869–1967), Swedish writer and critic; İlhan Berk (1918 ...
Eminem and Nate don’t share the same dad. The rapper’s father, Marshall Mathers Jr., left him and Nelson when he was just a baby. Years later, when Eminem was 13 years old, his mother welcomed ...
In "A Poem For Women in Rage", Lorde describes hatred being launched at her by a white woman, and the dilemma of whether or not to respond with violence. Through fury and rage, Lorde confronts the issues between white and Black women—fear and love—and how, "I am weeping to learn the name of those streets my feet have worn thin with running ...