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The Harlem Renaissance was an intellectual and cultural revival of African American life centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. A major aspect of this revival was poetry. [1] Hundreds of poems were written and published by African Americans during the era, which covered a wide variety of themes. [2]
Many poets of the Harlem Renaissance were inspired to tie threads of African-American culture into their poems; as a result, jazz poetry was heavily developed during this time. " The Weary Blues " was a notable jazz poem written by Langston Hughes. [ 29 ]
Gwendolyn B. Bennett (July 8, 1902 – May 30, 1981) was an American artist, writer, and journalist who contributed to Opportunity: A Journal of Negro Life, which chronicled cultural advancements during the Harlem Renaissance. Though often overlooked, she herself made considerable accomplishments in art, poetry, and prose.
The Harlem Renaissance was an intellectual and cultural revival of African American life centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. A major aspect of this revival was poetry. [1] Hundreds of poems were written and published by African Americans during the era, which covered a wide variety of themes. [2]
Langston Hughes was known as one of the most prominent and influential figures of the Harlem Renaissance, a rebirth movement of African Americans in the arts during the 1920s. He wrote about the world around him, giving a voice to African Americans during a time of segregation. Hughes was both a contributor and supporter of his fellow African ...
"If We Must Die" is one of McKay's most famous poems, and the poet Gwendolyn Brooks cited it as "one of the most famous poems ever written". [7] According to Jordanian scholar Shadi Neimneh, the poem "arguably marks the beginning of the Harlem Renaissance because it gives expression to a new racial spirit and self-awareness". [10]
Helen Johnson (July 7, 1906 – July 7, 1995) was an African-American poet during the Harlem Renaissance.She is remembered today for her poetry that captures both the challenges and the excitement of this era during her short-lived career.
The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. [1]