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The artwork was designed by M/M Paris, whom Björk has worked extensively with since 1999's Volumen release. At the time of release many online stores displayed an incorrect earlier version of the artwork for the box set, which features alternate artwork for the Post Live and Homogenic Live albums.
The Music from Matthew Barney's Drawing Restraint 9 is the second soundtrack album by Björk, released on 25 July 2005 in the UK and on 23 August 2005 in the US.It was composed for Matthew Barney's Drawing Restraint 9, the ninth installment of his ongoing Drawing Restraint film series.
The first version of the video is a virtual reality video which shows an avatar of Björk singing while surrounded by various strings and lights, eventually growing larger. A work-in-progress version of the video premiered at the Björk Digital exhibition in Sydney , while the completed version later won the 2017 Cannes Lion for Digital Craft.
Homogenic is the third studio album by Icelandic recording artist Björk. [a] It was released on 22 September 1997 by One Little Indian Records.Produced by Björk, Mark Bell, Guy Sigsworth, Howie B, and Markus Dravs, the album marked a stylistic change, focusing on similar-sounding music combining electronic beats and string instruments with songs in tribute to her native country Iceland.
"Bachelorette" is a song recorded by Icelandic singer, songwriter and actress Björk for her third studio album, Homogenic (1997). [a] Released as its second single on 1 December 1997, the song was originally written for Stealing Beauty, a film by Bernardo Bertolucci, but the project was withdrawn.
Screenshot from the music video. The accompanying music video for "Play Dead" was directed by Danny Cannon, who also directed The Young Americans. In the video, Björk performs the song in an empty bar that is shown in the film. Her footage is intercut with scenes from the film that range from tenderness to violence.
Björk Digital was an "immersive" virtual reality exhibition by Icelandic musician Björk featuring 360-degree VR music videos from her eighth studio album, Vulnicura. [1] The exhibit debuted at Carriageworks in Sydney, Australia as part of Vivid Sydney on June 4, 2016 and has traveled across the globe.
Rick Poynor wrote that the video showcases "[Björk's commitment] to a 'techno' sensibility". [24] Gondry and Björk—who have worked together continuously—"shared delight in playing interpretative games with her visual identity." [24] He also said that the video demonstrated the musician's "[embrace of] the computer's shape-shifting powers ...