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Hindi literature is composed in three broad styles- prose (गद्य, gadya), poetry (पद्य, padya), and prosimetrum (चंपू, campū). [1] Inspired by Bengali literature , Bharatendu Harishchandra started the modern Hindi literary practices.
Poetry in foreign languages such as English also has a strong influence on Indian poetry. The poetry reflects diverse spiritual traditions within India. In particular, many Indian poets have been inspired by mystical experiences. Poetry is the oldest form of literature and has a rich written and oral tradition.
Prose poetry is written as prose, without the line breaks associated with poetry. However, it makes use of poetic devices such as fragmentation, compression, repetition , rhyme, [ 1 ] metaphor , and figures of speech . [ 2 ]
Odia literature is also replete with the champu style poetry. Kabisurjya Baladeba Ratha, Banamali Dasa, Dinakrushna Das are some of the most famous poets who wrote Champu. In Odia literature too, there are numerous works in this genre. There is an added feature though- a Champu in Odia usually has 34 songs, one for each consonant of the alphabet.
The publication of the work in 1935 brought Harivanshrai Bachchan instant fame, and his own recitation of the poems became a "craze" at poetry symposiums. [ 2 ] Madhushala was part of his trilogy inspired by Omar Khayyam 's Rubaiyat , which he had earlier translated into Hindi.
Prose poetry is poetry without line breaks in accordance to paragraph structure as opposed to stanza. Enjambment is a line break in the middle of a sentence, phrase or clause, or one that offers internal (sub)text or rhythmically jars for added emphasis.
Kāvya (Devanagari: काव्य, IAST: kāvyá) refers to the Sanskrit literary style used by Indian court poets flourishing between c.200 BCE and 1200 CE. [1] [2]This literary style, which includes both poetry and prose, is characterised by abundant usage of figures of speech such as metaphors, similes, and hyperbole to create its characteristic emotional effects.
Daśakumāracarita is a prose text that tells of the vicissitudes of ten princes in their pursuit of love and power. It contains stories of common life and reflects Indian society during the period, couched in colourful Sanskrit prose. It consists of (1) Pūrvapīṭhikā, (2) Daśakumāracarita Proper, and (3) Uttarapīṭhikā.