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The kesa is worn over a Chinese-style long robe, called jikitotsu (直裰) which was also developed in China, [14] [15] and had a belt or sash tied at the waist. [13] Zen Buddhist monks wear a form of formal dress which is composed of two kimono, covered by the jikitotsu; and the kesa is finally worn on top of the jikitotsu. [15]
One origin story holds that when the Chinese emperors forbid the wearing of robes, defrocked all the Buddhist monks, and bestowed imperial favor on the Confucian and Taoist priests, then Buddhist monks created a miniature version of their robe to be worn secretly around the neck underneath their regular lay clothing. Another suggests that the ...
Modern-day Buddhist monks and laity refer to the long Buddhist robe as haiqing (Chinese: 海青). [23] The wearing of these long robes by Buddhist monks is a legacy of the Tang and Song period. [23] In ancient times, the haiqing was adopted by the Chan temples. [8] The haiqing originated from the hanfu-style worn in the Han and Tang dynasties. [14]
Ordained Buddhist bhikkus (monks) and bhikuunis (nuns) traditionally wear simple robes called kāṣāya, named after a brown or saffron dye used to give the fabric their distinctive non-primary colors. Originally, these robes were made of cast-off or donated material because monks lived ascetic lifestyles. [1]
An early representation of the Buddha wearing kāṣāya robes, in the Hellenistic style. Buddhist kāṣāya are said to have originated in India as set of robes for the devotees of Gautama Buddha. A notable variant has a pattern reminiscent of an Asian rice field. Original kāṣāya were constructed of discarded fabric. These were stitched ...
The Buddha is nearly always depicted wearing a monastic robe, of the type worn by Buddhist monks today. The robe may be shown as worn in the "covering mode" (draped over both shoulders) or in the "open mode" (leaving the right shoulder and breast uncovered). The robe is a representation of the Buddha's humility.
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The robes of Tibetan novices and monks differ in various aspects, especially in the application of "holes" in the dress of monks. Some monks tear their robes into pieces and then mend these pieces together again. Upāsakas cannot wear the "chö-göö", a yellow tissue worn during teachings by both novices and full monks.