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Staccato ([stakˈkaːto]; Italian for "detached") is a form of musical articulation. In modern notation, it signifies a note of shortened duration, [ 1 ] [ 2 ] separated from the note that may follow by silence. [ 3 ]
Articulation is a musical parameter that determines how a single note or other discrete event is sounded. Articulations primarily structure an event's start and end, determining the length of its sound and the shape of its attack and decay.
staccato Making each note brief and detached; the opposite of legato. In musical notation, a small dot under or over the head of the note indicates that it is to be articulated as staccato. stanza A verse of a song stem Vertical line that is directly connected to the [note] head stentando or stentato (sten. or stent.)
Examples of articulation marks. From left to right: staccato, staccatissimo, martellato, accent, tenuto. Articulation is the way the performer sounds notes. For example, staccato is the shortening of duration compared to the written note value, legato performs the notes in a smoothly joined sequence with no separation. Articulation is often ...
Staccato: detached: A form of musical articulation in which notes are distinct and separated from each other by short gaps Staccatissimo: very detached: Forcefully exaggerated staccato Tutti: all: Played or sung by the entire ensemble, rather than by just a soloist or principal player Vibrato: vibrating
The notation with dots under slurs is ambiguous, because it is also used for very different bowings, including staccato and flying spiccato. [1] [4] Currently, portato is sometimes indicated in words, by "mezzo-staccato" or "non-legato"; or can be shown by three graphic forms: a slur that encompasses a phrase of staccato notes (the most common), or
Seguidilla: Spanish-origin poem with seven syllable-counted lines, rhyming the second & fourth, and the fifth & seventh lines (ABCBDED). Petrarchan sonnet: ABBA ABBA CDE CDE or ABBA ABBA CDC CDC. Sestina: a complex French verse form, usually unrhymed, consisting of 6 stanzas of 6 lines each and a 3-line envoi.
Leonardo Bruni's translation of Aristotle's Poetics. Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, [1] though usage of the term can also refer to literature broadly.