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Radha-Krishna (IAST rādhā-kṛṣṇa, Sanskrit: राधा कृष्ण) is the combined form of the Hindu god Krishna with his chief consort and shakti Radha.They are regarded as the feminine as well as the masculine realities of God, [7] in several Krishnaite traditions of Vaishnavism.
A Telugu Brahmin from Srirangam, Prabodhananda formerly followed Sri Vaishnavism but was converted to the path of devotion to Radha Krishna by Chaitanya Mahaprabhu. When Chaitanya traveled through south India in 1509–10, he stayed at the house of Venkata Bhatta, the father of Gopal Bhatta , priest of Srirangam . [ 1 ]
The Gaudiya tradition focuses upon parakiya-rasa as the highest form of love, wherein Radha and Krishna share thoughts even through separation. The love the gopis feel for Krishna is also described in this esoteric manner as the highest platform of spontaneous love of God, and not of a sexual nature.
Krishnaism is a term used in scholarly circles to describe large group of independent Hindu traditions—sampradayas related to Vaishnavism—that center on the devotion to Krishna as Svayam Bhagavan, Ishvara, Para Brahman, who is the source of all reality, not simply an avatar of Vishnu.
It is a common belief among devotees that Nidhivan still witnesses the rasa-lila (dance) of Radha and Krishna during the night and thus, to protect the forest's sanctity, Nidhivan is closed with barricades during the night. [2] Sri Bansichori Radharani Temple in Nidhivan, the shrine is dedicated to the event when Radha stole Krishna's flute.
Among the gopis, Radha is the chief gopi and is the personification of the bliss potency (hladini shakti) of Krishna. [7] She alone manifests the stage of mahabhava, or supreme love for Krishna, and holds a place of particularly high reverence and importance in a number of religious traditions.
Krishna and Radha dancing the rasalila, a 19th-century painting, Rajasthan. The Raslila (Sanskrit: रासलीला, romanized: Rāsalīlā), [1] [2] also rendered the Rasalila or the Ras dance, is part of a traditional story described in Hindu texts such as the Bhagavata Purana and Gita Govinda, where Krishna dances with Radha and the gopis of Braj.
Jayadeva worshipping Krishna and Radha. The work delineates the love of Krishna for Radha, the milkmaid, his faithlessness and subsequent return to her, and is taken as symbolical of the human soul's straying from its true allegiance but returning at length to the God which created it.